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Great Republic

  • 1 Democratic Republic of the Congo

    сокр. DRC общ. Демократическая республика Конго (республика; столица — Киншаса; государственный язык французский; национальная валюта — конголезский франк, до 1998 г. — Заир)
    Syn:
    See:

    Англо-русский экономический словарь > Democratic Republic of the Congo

  • 2 McKay, Donald

    SUBJECT AREA: Ports and shipping
    [br]
    b. 4 September 1810 Shelburne, Nova Scotia, Canada
    d. 20 September 1880 Hamilton, Massachusetts, USA
    [br]
    American shipbuilder of Western Ocean packets and clippers.
    [br]
    Of Scottish stock, McKay was the son of a farmer and the grandson of a loyalist officer who had left the United States after the War of Independence. After some elementary shipwright training in Nova Scotia, McKay travelled to New York to apprentice to the great American shipbuilder Isaac Webb, then building some of the outstanding ships of the nineteenth century. At the age of 21 and a fully fledged journeyman, McKay again set out and worked in various shipyards before joining William Currier in 1841 to establish a yard in Newburyport, Massachusetts. He moved on again in 1843 to form another venture, the yard of McKay and Pickett in the same locality.
    In 1844 McKay came to know Enoch Train of Boston, then proprietor of a fleet of fast clipper ships on the US A-to-Liverpool run. He persuaded McKay to set out on his own and promised to support him with orders for ships. The partnership with Pickett was dissolved amicably and Donald McKay opened the yard in East Boston, from which some of the world's fastest ships were to be launched. McKay's natural ability as a shipwright had been enhanced by the study of mathematics and engineering drawing, something he had learned from his wife Albenia Boole, the daughter of another shipbuilder. He was not too proud to learn from other masters on the East Coast such as William H.Webb and John Willis Griffiths. The first ships from East Boston included the Washington Irvine of 1845 and the Anglo Saxon of 1846; they were well built and had especially comfortable emigrant accommodation. However, faster ships were to follow, almost all three-masted, fully rigged ships with very fine or "extreme" lines, including the Flying Cloud for the Californian gold rush of 1851, the four-masted barque Great Republic; then, c. 1854, the Lightning was ordered by James Baines of Liverpool for his Black Ball Line. The Lightning holds to this day the speed record for a square-rigged ship's daily run. As the years passed the shipbuilding scene changed, and while McKay's did build some iron ships for the US Navy, they became much less profitable and in 1875 the yard closed down, with McKay retiring to take up farming.
    [br]
    Further Reading
    Frank C.Bowen, 1952, "Shipbuilders of other days, Donald McKay of Boston",
    Shipbuilding and Shipping Record (18 September).
    FMW

    Biographical history of technology > McKay, Donald

  • 3 McKay, Donald

    (1810-1890) Маккей, Доналд
    Инженер-судостроитель, специализировался на постройке клиперов. Его клипер "Грэйт рипаблик" [Great Republic] (1853) водоизмещением 4555 тонн для своего времени был самым крупным в мире судном этого класса. Распространение паровых двигателей вынудило его закрыть в 1855 свою бостонскую судоверфь

    English-Russian dictionary of regional studies > McKay, Donald

  • 4 Historical Portugal

       Before Romans described western Iberia or Hispania as "Lusitania," ancient Iberians inhabited the land. Phoenician and Greek trading settlements grew up in the Tagus estuary area and nearby coasts. Beginning around 202 BCE, Romans invaded what is today southern Portugal. With Rome's defeat of Carthage, Romans proceeded to conquer and rule the western region north of the Tagus, which they named Roman "Lusitania." In the fourth century CE, as Rome's rule weakened, the area experienced yet another invasion—Germanic tribes, principally the Suevi, who eventually were Christianized. During the sixth century CE, the Suevi kingdom was superseded by yet another Germanic tribe—the Christian Visigoths.
       A major turning point in Portugal's history came in 711, as Muslim armies from North Africa, consisting of both Arab and Berber elements, invaded the Iberian Peninsula from across the Straits of Gibraltar. They entered what is now Portugal in 714, and proceeded to conquer most of the country except for the far north. For the next half a millennium, Islam and Muslim presence in Portugal left a significant mark upon the politics, government, language, and culture of the country.
       Islam, Reconquest, and Portugal Created, 714-1140
       The long frontier struggle between Muslim invaders and Christian communities in the north of the Iberian peninsula was called the Reconquista (Reconquest). It was during this struggle that the first dynasty of Portuguese kings (Burgundian) emerged and the independent monarchy of Portugal was established. Christian forces moved south from what is now the extreme north of Portugal and gradually defeated Muslim forces, besieging and capturing towns under Muslim sway. In the ninth century, as Christian forces slowly made their way southward, Christian elements were dominant only in the area between Minho province and the Douro River; this region became known as "territorium Portu-calense."
       In the 11th century, the advance of the Reconquest quickened as local Christian armies were reinforced by crusading knights from what is now France and England. Christian forces took Montemor (1034), at the Mondego River; Lamego (1058); Viseu (1058); and Coimbra (1064). In 1095, the king of Castile and Léon granted the country of "Portu-cale," what became northern Portugal, to a Burgundian count who had emigrated from France. This was the foundation of Portugal. In 1139, a descendant of this count, Afonso Henriques, proclaimed himself "King of Portugal." He was Portugal's first monarch, the "Founder," and the first of the Burgundian dynasty, which ruled until 1385.
       The emergence of Portugal in the 12th century as a separate monarchy in Iberia occurred before the Christian Reconquest of the peninsula. In the 1140s, the pope in Rome recognized Afonso Henriques as king of Portugal. In 1147, after a long, bloody siege, Muslim-occupied Lisbon fell to Afonso Henriques's army. Lisbon was the greatest prize of the 500-year war. Assisting this effort were English crusaders on their way to the Holy Land; the first bishop of Lisbon was an Englishman. When the Portuguese captured Faro and Silves in the Algarve province in 1248-50, the Reconquest of the extreme western portion of the Iberian peninsula was complete—significantly, more than two centuries before the Spanish crown completed the Reconquest of the eastern portion by capturing Granada in 1492.
       Consolidation and Independence of Burgundian Portugal, 1140-1385
       Two main themes of Portugal's early existence as a monarchy are the consolidation of control over the realm and the defeat of a Castil-ian threat from the east to its independence. At the end of this period came the birth of a new royal dynasty (Aviz), which prepared to carry the Christian Reconquest beyond continental Portugal across the straits of Gibraltar to North Africa. There was a variety of motives behind these developments. Portugal's independent existence was imperiled by threats from neighboring Iberian kingdoms to the north and east. Politics were dominated not only by efforts against the Muslims in
       Portugal (until 1250) and in nearby southern Spain (until 1492), but also by internecine warfare among the kingdoms of Castile, Léon, Aragon, and Portugal. A final comeback of Muslim forces was defeated at the battle of Salado (1340) by allied Castilian and Portuguese forces. In the emerging Kingdom of Portugal, the monarch gradually gained power over and neutralized the nobility and the Church.
       The historic and commonplace Portuguese saying "From Spain, neither a good wind nor a good marriage" was literally played out in diplomacy and war in the late 14th-century struggles for mastery in the peninsula. Larger, more populous Castile was pitted against smaller Portugal. Castile's Juan I intended to force a union between Castile and Portugal during this era of confusion and conflict. In late 1383, Portugal's King Fernando, the last king of the Burgundian dynasty, suddenly died prematurely at age 38, and the Master of Aviz, Portugal's most powerful nobleman, took up the cause of independence and resistance against Castile's invasion. The Master of Aviz, who became King João I of Portugal, was able to obtain foreign assistance. With the aid of English archers, Joao's armies defeated the Castilians in the crucial battle of Aljubarrota, on 14 August 1385, a victory that assured the independence of the Portuguese monarchy from its Castilian nemesis for several centuries.
       Aviz Dynasty and Portugal's First Overseas Empire, 1385-1580
       The results of the victory at Aljubarrota, much celebrated in Portugal's art and monuments, and the rise of the Aviz dynasty also helped to establish a new merchant class in Lisbon and Oporto, Portugal's second city. This group supported King João I's program of carrying the Reconquest to North Africa, since it was interested in expanding Portugal's foreign commerce and tapping into Muslim trade routes and resources in Africa. With the Reconquest against the Muslims completed in Portugal and the threat from Castile thwarted for the moment, the Aviz dynasty launched an era of overseas conquest, exploration, and trade. These efforts dominated Portugal's 15th and 16th centuries.
       The overseas empire and age of Discoveries began with Portugal's bold conquest in 1415 of the Moroccan city of Ceuta. One royal member of the 1415 expedition was young, 21-year-old Prince Henry, later known in history as "Prince Henry the Navigator." His part in the capture of Ceuta won Henry his knighthood and began Portugal's "Marvelous Century," during which the small kingdom was counted as a European and world power of consequence. Henry was the son of King João I and his English queen, Philippa of Lancaster, but he did not inherit the throne. Instead, he spent most of his life and his fortune, and that of the wealthy military Order of Christ, on various imperial ventures and on voyages of exploration down the African coast and into the Atlantic. While mythology has surrounded Henry's controversial role in the Discoveries, and this role has been exaggerated, there is no doubt that he played a vital part in the initiation of Portugal's first overseas empire and in encouraging exploration. He was naturally curious, had a sense of mission for Portugal, and was a strong leader. He also had wealth to expend; at least a third of the African voyages of the time were under his sponsorship. If Prince Henry himself knew little science, significant scientific advances in navigation were made in his day.
       What were Portugal's motives for this new imperial effort? The well-worn historical cliche of "God, Glory, and Gold" can only partly explain the motivation of a small kingdom with few natural resources and barely 1 million people, which was greatly outnumbered by the other powers it confronted. Among Portuguese objectives were the desire to exploit known North African trade routes and resources (gold, wheat, leather, weaponry, and other goods that were scarce in Iberia); the need to outflank the Muslim world in the Mediterranean by sailing around Africa, attacking Muslims en route; and the wish to ally with Christian kingdoms beyond Africa. This enterprise also involved a strategy of breaking the Venetian spice monopoly by trading directly with the East by means of discovering and exploiting a sea route around Africa to Asia. Besides the commercial motives, Portugal nurtured a strong crusading sense of Christian mission, and various classes in the kingdom saw an opportunity for fame and gain.
       By the time of Prince Henry's death in 1460, Portugal had gained control of the Atlantic archipelagos of the Azores and Madeiras, begun to colonize the Cape Verde Islands, failed to conquer the Canary Islands from Castile, captured various cities on Morocco's coast, and explored as far as Senegal, West Africa, down the African coast. By 1488, Bar-tolomeu Dias had rounded the Cape of Good Hope in South Africa and thereby discovered the way to the Indian Ocean.
       Portugal's largely coastal African empire and later its fragile Asian empire brought unexpected wealth but were purchased at a high price. Costs included wars of conquest and defense against rival powers, manning the far-flung navel and trade fleets and scattered castle-fortresses, and staffing its small but fierce armies, all of which entailed a loss of skills and population to maintain a scattered empire. Always short of capital, the monarchy became indebted to bankers. There were many defeats beginning in the 16th century at the hands of the larger imperial European monarchies (Spain, France, England, and Holland) and many attacks on Portugal and its strung-out empire. Typically, there was also the conflict that arose when a tenuously held world empire that rarely if ever paid its way demanded finance and manpower Portugal itself lacked.
       The first 80 years of the glorious imperial era, the golden age of Portugal's imperial power and world influence, was an African phase. During 1415-88, Portuguese navigators and explorers in small ships, some of them caravelas (caravels), explored the treacherous, disease-ridden coasts of Africa from Morocco to South Africa beyond the Cape of Good Hope. By the 1470s, the Portuguese had reached the Gulf of Guinea and, in the early 1480s, what is now Angola. Bartolomeu Dias's extraordinary voyage of 1487-88 to South Africa's coast and the edge of the Indian Ocean convinced Portugal that the best route to Asia's spices and Christians lay south, around the tip of southern Africa. Between 1488 and 1495, there was a hiatus caused in part by domestic conflict in Portugal, discussion of resources available for further conquests beyond Africa in Asia, and serious questions as to Portugal's capacity to reach beyond Africa. In 1495, King Manuel and his council decided to strike for Asia, whatever the consequences. In 1497-99, Vasco da Gama, under royal orders, made the epic two-year voyage that discovered the sea route to western India (Asia), outflanked Islam and Venice, and began Portugal's Asian empire. Within 50 years, Portugal had discovered and begun the exploitation of its largest colony, Brazil, and set up forts and trading posts from the Middle East (Aden and Ormuz), India (Calicut, Goa, etc.), Malacca, and Indonesia to Macau in China.
       By the 1550s, parts of its largely coastal, maritime trading post empire from Morocco to the Moluccas were under siege from various hostile forces, including Muslims, Christians, and Hindi. Although Moroccan forces expelled the Portuguese from the major coastal cities by 1550, the rival European monarchies of Castile (Spain), England, France, and later Holland began to seize portions of her undermanned, outgunned maritime empire.
       In 1580, Phillip II of Spain, whose mother was a Portuguese princess and who had a strong claim to the Portuguese throne, invaded Portugal, claimed the throne, and assumed control over the realm and, by extension, its African, Asian, and American empires. Phillip II filled the power vacuum that appeared in Portugal following the loss of most of Portugal's army and its young, headstrong King Sebastião in a disastrous war in Morocco. Sebastiao's death in battle (1578) and the lack of a natural heir to succeed him, as well as the weak leadership of the cardinal who briefly assumed control in Lisbon, led to a crisis that Spain's strong monarch exploited. As a result, Portugal lost its independence to Spain for a period of 60 years.
       Portugal under Spanish Rule, 1580-1640
       Despite the disastrous nature of Portugal's experience under Spanish rule, "The Babylonian Captivity" gave birth to modern Portuguese nationalism, its second overseas empire, and its modern alliance system with England. Although Spain allowed Portugal's weakened empire some autonomy, Spanish rule in Portugal became increasingly burdensome and unacceptable. Spain's ambitious imperial efforts in Europe and overseas had an impact on the Portuguese as Spain made greater and greater demands on its smaller neighbor for manpower and money. Portugal's culture underwent a controversial Castilianization, while its empire became hostage to Spain's fortunes. New rival powers England, France, and Holland attacked and took parts of Spain's empire and at the same time attacked Portugal's empire, as well as the mother country.
       Portugal's empire bore the consequences of being attacked by Spain's bitter enemies in what was a form of world war. Portuguese losses were heavy. By 1640, Portugal had lost most of its Moroccan cities as well as Ceylon, the Moluccas, and sections of India. With this, Portugal's Asian empire was gravely weakened. Only Goa, Damão, Diu, Bombay, Timor, and Macau remained and, in Brazil, Dutch forces occupied the northeast.
       On 1 December 1640, long commemorated as a national holiday, Portuguese rebels led by the duke of Braganza overthrew Spanish domination and took advantage of Spanish weakness following a more serious rebellion in Catalonia. Portugal regained independence from Spain, but at a price: dependence on foreign assistance to maintain its independence in the form of the renewal of the alliance with England.
       Restoration and Second Empire, 1640-1822
       Foreign affairs and empire dominated the restoration era and aftermath, and Portugal again briefly enjoyed greater European power and prestige. The Anglo-Portuguese Alliance was renewed and strengthened in treaties of 1642, 1654, and 1661, and Portugal's independence from Spain was underwritten by English pledges and armed assistance. In a Luso-Spanish treaty of 1668, Spain recognized Portugal's independence. Portugal's alliance with England was a marriage of convenience and necessity between two monarchies with important religious, cultural, and social differences. In return for legal, diplomatic, and trade privileges, as well as the use during war and peace of Portugal's great Lisbon harbor and colonial ports for England's navy, England pledged to protect Portugal and its scattered empire from any attack. The previously cited 17th-century alliance treaties were renewed later in the Treaty of Windsor, signed in London in 1899. On at least 10 different occasions after 1640, and during the next two centuries, England was central in helping prevent or repel foreign invasions of its ally, Portugal.
       Portugal's second empire (1640-1822) was largely Brazil-oriented. Portuguese colonization, exploitation of wealth, and emigration focused on Portuguese America, and imperial revenues came chiefly from Brazil. Between 1670 and 1740, Portugal's royalty and nobility grew wealthier on funds derived from Brazilian gold, diamonds, sugar, tobacco, and other crops, an enterprise supported by the Atlantic slave trade and the supply of African slave labor from West Africa and Angola. Visitors today can see where much of that wealth was invested: Portugal's rich legacy of monumental architecture. Meanwhile, the African slave trade took a toll in Angola and West Africa.
       In continental Portugal, absolutist monarchy dominated politics and government, and there was a struggle for position and power between the monarchy and other institutions, such as the Church and nobility. King José I's chief minister, usually known in history as the marquis of Pombal (ruled 1750-77), sharply suppressed the nobility and the
       Church (including the Inquisition, now a weak institution) and expelled the Jesuits. Pombal also made an effort to reduce economic dependence on England, Portugal's oldest ally. But his successes did not last much beyond his disputed time in office.
       Beginning in the late 18th century, the European-wide impact of the French Revolution and the rise of Napoleon placed Portugal in a vulnerable position. With the monarchy ineffectively led by an insane queen (Maria I) and her indecisive regent son (João VI), Portugal again became the focus of foreign ambition and aggression. With England unable to provide decisive assistance in time, France—with Spain's consent—invaded Portugal in 1807. As Napoleon's army under General Junot entered Lisbon meeting no resistance, Portugal's royal family fled on a British fleet to Brazil, where it remained in exile until 1821. In the meantime, Portugal's overseas empire was again under threat. There was a power vacuum as the monarch was absent, foreign armies were present, and new political notions of liberalism and constitutional monarchy were exciting various groups of citizens.
       Again England came to the rescue, this time in the form of the armies of the duke of Wellington. Three successive French invasions of Portugal were defeated and expelled, and Wellington succeeded in carrying the war against Napoleon across the Portuguese frontier into Spain. The presence of the English army, the new French-born liberal ideas, and the political vacuum combined to create revolutionary conditions. The French invasions and the peninsular wars, where Portuguese armed forces played a key role, marked the beginning of a new era in politics.
       Liberalism and Constitutional Monarchy, 1822-1910
       During 1807-22, foreign invasions, war, and civil strife over conflicting political ideas gravely damaged Portugal's commerce, economy, and novice industry. The next terrible blow was the loss of Brazil in 1822, the jewel in the imperial crown. Portugal's very independence seemed to be at risk. In vain, Portugal sought to resist Brazilian independence by force, but in 1825 it formally acknowledged Brazilian independence by treaty.
       Portugal's slow recovery from the destructive French invasions and the "war of independence" was complicated by civil strife over the form of constitutional monarchy that best suited Portugal. After struggles over these issues between 1820 and 1834, Portugal settled somewhat uncertainly into a moderate constitutional monarchy whose constitution (Charter of 1826) lent it strong political powers to exert a moderating influence between the executive and legislative branches of the government. It also featured a new upper middle class based on land ownership and commerce; a Catholic Church that, although still important, lived with reduced privileges and property; a largely African (third) empire to which Lisbon and Oporto devoted increasing spiritual and material resources, starting with the liberal imperial plans of 1836 and 1851, and continuing with the work of institutions like the Lisbon Society of Geography (established 1875); and a mass of rural peasants whose bonds to the land weakened after 1850 and who began to immigrate in increasing numbers to Brazil and North America.
       Chronic military intervention in national politics began in 19th-century Portugal. Such intervention, usually commencing with coups or pronunciamentos (military revolts), was a shortcut to the spoils of political office and could reflect popular discontent as well as the power of personalities. An early example of this was the 1817 golpe (coup) attempt of General Gomes Freire against British military rule in Portugal before the return of King João VI from Brazil. Except for a more stable period from 1851 to 1880, military intervention in politics, or the threat thereof, became a feature of the constitutional monarchy's political life, and it continued into the First Republic and the subsequent Estado Novo.
       Beginning with the Regeneration period (1851-80), Portugal experienced greater political stability and economic progress. Military intervention in politics virtually ceased; industrialization and construction of railroads, roads, and bridges proceeded; two political parties (Regenerators and Historicals) worked out a system of rotation in power; and leading intellectuals sparked a cultural revival in several fields. In 19th-century literature, there was a new golden age led by such figures as Alexandre Herculano (historian), Eça de Queirós (novelist), Almeida Garrett (playwright and essayist), Antero de Quental (poet), and Joaquim Oliveira Martins (historian and social scientist). In its third overseas empire, Portugal attempted to replace the slave trade and slavery with legitimate economic activities; to reform the administration; and to expand Portuguese holdings beyond coastal footholds deep into the African hinterlands in West, West Central, and East Africa. After 1841, to some extent, and especially after 1870, colonial affairs, combined with intense nationalism, pressures for economic profit in Africa, sentiment for national revival, and the drift of European affairs would make or break Lisbon governments.
       Beginning with the political crisis that arose out of the "English Ultimatum" affair of January 1890, the monarchy became discredtted and identified with the poorly functioning government, political parties splintered, and republicanism found more supporters. Portugal participated in the "Scramble for Africa," expanding its African holdings, but failed to annex territory connecting Angola and Mozambique. A growing foreign debt and state bankruptcy as of the early 1890s damaged the constitutional monarchy's reputation, despite the efforts of King Carlos in diplomacy, the renewal of the alliance in the Windsor Treaty of 1899, and the successful if bloody colonial wars in the empire (1880-97). Republicanism proclaimed that Portugal's weak economy and poor society were due to two historic institutions: the monarchy and the Catholic Church. A republic, its stalwarts claimed, would bring greater individual liberty; efficient, if more decentralized government; and a stronger colonial program while stripping the Church of its role in both society and education.
       As the monarchy lost support and republicans became more aggressive, violence increased in politics. King Carlos I and his heir Luís were murdered in Lisbon by anarchist-republicans on 1 February 1908. Following a military and civil insurrection and fighting between monarchist and republican forces, on 5 October 1910, King Manuel II fled Portugal and a republic was proclaimed.
       First Parliamentary Republic, 1910-26
       Portugal's first attempt at republican government was the most unstable, turbulent parliamentary republic in the history of 20th-century Western Europe. During a little under 16 years of the republic, there were 45 governments, a number of legislatures that did not complete normal terms, military coups, and only one president who completed his four-year term in office. Portuguese society was poorly prepared for this political experiment. Among the deadly legacies of the monarchy were a huge public debt; a largely rural, apolitical, and illiterate peasant population; conflict over the causes of the country's misfortunes; and lack of experience with a pluralist, democratic system.
       The republic had some talented leadership but lacked popular, institutional, and economic support. The 1911 republican constitution established only a limited democracy, as only a small portion of the adult male citizenry was eligible to vote. In a country where the majority was Catholic, the republic passed harshly anticlerical laws, and its institutions and supporters persecuted both the Church and its adherents. During its brief disjointed life, the First Republic drafted important reform plans in economic, social, and educational affairs; actively promoted development in the empire; and pursued a liberal, generous foreign policy. Following British requests for Portugal's assistance in World War I, Portugal entered the war on the Allied side in March 1916 and sent armies to Flanders and Portuguese Africa. Portugal's intervention in that conflict, however, was too costly in many respects, and the ultimate failure of the republic in part may be ascribed to Portugal's World War I activities.
       Unfortunately for the republic, its time coincided with new threats to Portugal's African possessions: World War I, social and political demands from various classes that could not be reconciled, excessive military intervention in politics, and, in particular, the worst economic and financial crisis Portugal had experienced since the 16th and 17th centuries. After the original Portuguese Republican Party (PRP, also known as the "Democrats") splintered into three warring groups in 1912, no true multiparty system emerged. The Democrats, except for only one or two elections, held an iron monopoly of electoral power, and political corruption became a major issue. As extreme right-wing dictatorships elsewhere in Europe began to take power in Italy (1922), neighboring Spain (1923), and Greece (1925), what scant popular support remained for the republic collapsed. Backed by a right-wing coalition of landowners from Alentejo, clergy, Coimbra University faculty and students, Catholic organizations, and big business, career military officers led by General Gomes da Costa executed a coup on 28 May 1926, turned out the last republican government, and established a military government.
       The Estado Novo (New State), 1926-74
       During the military phase (1926-32) of the Estado Novo, professional military officers, largely from the army, governed and administered Portugal and held key cabinet posts, but soon discovered that the military possessed no magic formula that could readily solve the problems inherited from the First Republic. Especially during the years 1926-31, the military dictatorship, even with its political repression of republican activities and institutions (military censorship of the press, political police action, and closure of the republic's rowdy parliament), was characterized by similar weaknesses: personalism and factionalism; military coups and political instability, including civil strife and loss of life; state debt and bankruptcy; and a weak economy. "Barracks parliamentarism" was not an acceptable alternative even to the "Nightmare Republic."
       Led by General Óscar Carmona, who had replaced and sent into exile General Gomes da Costa, the military dictatorship turned to a civilian expert in finance and economics to break the budget impasse and bring coherence to the disorganized system. Appointed minister of finance on 27 April 1928, the Coimbra University Law School professor of economics Antônio de Oliveira Salazar (1889-1970) first reformed finance, helped balance the budget, and then turned to other concerns as he garnered extraordinary governing powers. In 1930, he was appointed interim head of another key ministry (Colonies) and within a few years had become, in effect, a civilian dictator who, with the military hierarchy's support, provided the government with coherence, a program, and a set of policies.
       For nearly 40 years after he was appointed the first civilian prime minister in 1932, Salazar's personality dominated the government. Unlike extreme right-wing dictators elsewhere in Europe, Salazar was directly appointed by the army but was never endorsed by a popular political party, street militia, or voter base. The scholarly, reclusive former Coimbra University professor built up what became known after 1932 as the Estado Novo ("New State"), which at the time of its overthrow by another military coup in 1974, was the longest surviving authoritarian regime in Western Europe. The system of Salazar and the largely academic and technocratic ruling group he gathered in his cabinets was based on the central bureaucracy of the state, which was supported by the president of the republic—always a senior career military officer, General Óscar Carmona (1928-51), General Craveiro Lopes (1951-58), and Admiral Américo Tómaz (1958-74)—and the complicity of various institutions. These included a rubber-stamp legislature called the National Assembly (1935-74) and a political police known under various names: PVDE (1932-45), PIDE (1945-69),
       and DGS (1969-74). Other defenders of the Estado Novo security were paramilitary organizations such as the National Republican Guard (GNR); the Portuguese Legion (PL); and the Portuguese Youth [Movement]. In addition to censorship of the media, theater, and books, there was political repression and a deliberate policy of depoliticization. All political parties except for the approved movement of regime loyalists, the União Nacional or (National Union), were banned.
       The most vigorous and more popular period of the New State was 1932-44, when the basic structures were established. Never monolithic or entirely the work of one person (Salazar), the New State was constructed with the assistance of several dozen top associates who were mainly academics from law schools, some technocrats with specialized skills, and a handful of trusted career military officers. The 1933 Constitution declared Portugal to be a "unitary, corporative Republic," and pressures to restore the monarchy were resisted. Although some of the regime's followers were fascists and pseudofascists, many more were conservative Catholics, integralists, nationalists, and monarchists of different varieties, and even some reactionary republicans. If the New State was authoritarian, it was not totalitarian and, unlike fascism in Benito Mussolini's Italy or Adolf Hitler's Germany, it usually employed the minimum of violence necessary to defeat what remained a largely fractious, incoherent opposition.
       With the tumultuous Second Republic and the subsequent civil war in nearby Spain, the regime felt threatened and reinforced its defenses. During what Salazar rightly perceived as a time of foreign policy crisis for Portugal (1936-45), he assumed control of the Ministry of Foreign Affairs. From there, he pursued four basic foreign policy objectives: supporting the Nationalist rebels of General Francisco Franco in the Spanish Civil War (1936-39) and concluding defense treaties with a triumphant Franco; ensuring that General Franco in an exhausted Spain did not enter World War II on the Axis side; maintaining Portuguese neutrality in World War II with a post-1942 tilt toward the Allies, including granting Britain and the United States use of bases in the Azores Islands; and preserving and protecting Portugal's Atlantic Islands and its extensive, if poor, overseas empire in Africa and Asia.
       During the middle years of the New State (1944-58), many key Salazar associates in government either died or resigned, and there was greater social unrest in the form of unprecedented strikes and clandestine Communist activities, intensified opposition, and new threatening international pressures on Portugal's overseas empire. During the earlier phase of the Cold War (1947-60), Portugal became a steadfast, if weak, member of the US-dominated North Atlantic Treaty Organization alliance and, in 1955, with American support, Portugal joined the United Nations (UN). Colonial affairs remained a central concern of the regime. As of 1939, Portugal was the third largest colonial power in the world and possessed territories in tropical Africa (Angola, Mozambique, Guinea-Bissau, and São Tomé and Príncipe Islands) and the remnants of its 16th-century empire in Asia (Goa, Damão, Diu, East Timor, and Macau). Beginning in the early 1950s, following the independence of India in 1947, Portugal resisted Indian pressures to decolonize Portuguese India and used police forces to discourage internal opposition in its Asian and African colonies.
       The later years of the New State (1958-68) witnessed the aging of the increasingly isolated but feared Salazar and new threats both at home and overseas. Although the regime easily overcame the brief oppositionist threat from rival presidential candidate General Humberto Delgado in the spring of 1958, new developments in the African and Asian empires imperiled the authoritarian system. In February 1961, oppositionists hijacked the Portuguese ocean liner Santa Maria and, in following weeks, African insurgents in northern Angola, although they failed to expel the Portuguese, gained worldwide media attention, discredited the New State, and began the 13-year colonial war. After thwarting a dissident military coup against his continued leadership, Salazar and his ruling group mobilized military repression in Angola and attempted to develop the African colonies at a faster pace in order to ensure Portuguese control. Meanwhile, the other European colonial powers (Britain, France, Belgium, and Spain) rapidly granted political independence to their African territories.
       At the time of Salazar's removal from power in September 1968, following a stroke, Portugal's efforts to maintain control over its colonies appeared to be successful. President Americo Tomás appointed Dr. Marcello Caetano as Salazar's successor as prime minister. While maintaining the New State's basic structures, and continuing the regime's essential colonial policy, Caetano attempted wider reforms in colonial administration and some devolution of power from Lisbon, as well as more freedom of expression in Lisbon. Still, a great deal of the budget was devoted to supporting the wars against the insurgencies in Africa. Meanwhile in Asia, Portuguese India had fallen when the Indian army invaded in December 1961. The loss of Goa was a psychological blow to the leadership of the New State, and of the Asian empire only East Timor and Macau remained.
       The Caetano years (1968-74) were but a hiatus between the waning Salazar era and a new regime. There was greater political freedom and rapid economic growth (5-6 percent annually to late 1973), but Caetano's government was unable to reform the old system thoroughly and refused to consider new methods either at home or in the empire. In the end, regime change came from junior officers of the professional military who organized the Armed Forces Movement (MFA) against the Caetano government. It was this group of several hundred officers, mainly in the army and navy, which engineered a largely bloodless coup in Lisbon on 25 April 1974. Their unexpected action brought down the 48-year-old New State and made possible the eventual establishment and consolidation of democratic governance in Portugal, as well as a reorientation of the country away from the Atlantic toward Europe.
       Revolution of Carnations, 1974-76
       Following successful military operations of the Armed Forces Movement against the Caetano government, Portugal experienced what became known as the "Revolution of Carnations." It so happened that during the rainy week of the military golpe, Lisbon flower shops were featuring carnations, and the revolutionaries and their supporters adopted the red carnation as the common symbol of the event, as well as of the new freedom from dictatorship. The MFA, whose leaders at first were mostly little-known majors and captains, proclaimed a three-fold program of change for the new Portugal: democracy; decolonization of the overseas empire, after ending the colonial wars; and developing a backward economy in the spirit of opportunity and equality. During the first 24 months after the coup, there was civil strife, some anarchy, and a power struggle. With the passing of the Estado Novo, public euphoria burst forth as the new provisional military government proclaimed the freedoms of speech, press, and assembly, and abolished censorship, the political police, the Portuguese Legion, Portuguese Youth, and other New State organizations, including the National Union. Scores of political parties were born and joined the senior political party, the Portuguese Community Party (PCP), and the Socialist Party (PS), founded shortly before the coup.
       Portugal's Revolution of Carnations went through several phases. There was an attempt to take control by radical leftists, including the PCP and its allies. This was thwarted by moderate officers in the army, as well as by the efforts of two political parties: the PS and the Social Democrats (PPD, later PSD). The first phase was from April to September 1974. Provisional president General Antonio Spínola, whose 1974 book Portugal and the Future had helped prepare public opinion for the coup, met irresistible leftist pressures. After Spinola's efforts to avoid rapid decolonization of the African empire failed, he resigned in September 1974. During the second phase, from September 1974 to March 1975, radical military officers gained control, but a coup attempt by General Spínola and his supporters in Lisbon in March 1975 failed and Spínola fled to Spain.
       In the third phase of the Revolution, March-November 1975, a strong leftist reaction followed. Farm workers occupied and "nationalized" 1.1 million hectares of farmland in the Alentejo province, and radical military officers in the provisional government ordered the nationalization of Portuguese banks (foreign banks were exempted), utilities, and major industries, or about 60 percent of the economic system. There were power struggles among various political parties — a total of 50 emerged—and in the streets there was civil strife among labor, military, and law enforcement groups. A constituent assembly, elected on 25 April 1975, in Portugal's first free elections since 1926, drafted a democratic constitution. The Council of the Revolution (CR), briefly a revolutionary military watchdog committee, was entrenched as part of the government under the constitution, until a later revision. During the chaotic year of 1975, about 30 persons were killed in political frays while unstable provisional governments came and went. On 25 November 1975, moderate military forces led by Colonel Ramalho Eanes, who later was twice elected president of the republic (1976 and 1981), defeated radical, leftist military groups' revolutionary conspiracies.
       In the meantime, Portugal's scattered overseas empire experienced a precipitous and unprepared decolonization. One by one, the former colonies were granted and accepted independence—Guinea-Bissau (September 1974), Cape Verde Islands (July 1975), and Mozambique (July 1975). Portugal offered to turn over Macau to the People's Republic of China, but the offer was refused then and later negotiations led to the establishment of a formal decolonization or hand-over date of 1999. But in two former colonies, the process of decolonization had tragic results.
       In Angola, decolonization negotiations were greatly complicated by the fact that there were three rival nationalist movements in a struggle for power. The January 1975 Alvor Agreement signed by Portugal and these three parties was not effectively implemented. A bloody civil war broke out in Angola in the spring of 1975 and, when Portuguese armed forces withdrew and declared that Angola was independent on 11 November 1975, the bloodshed only increased. Meanwhile, most of the white Portuguese settlers from Angola and Mozambique fled during the course of 1975. Together with African refugees, more than 600,000 of these retornados ("returned ones") went by ship and air to Portugal and thousands more to Namibia, South Africa, Brazil, Canada, and the United States.
       The second major decolonization disaster was in Portugal's colony of East Timor in the Indonesian archipelago. Portugal's capacity to supervise and control a peaceful transition to independence in this isolated, neglected colony was limited by the strength of giant Indonesia, distance from Lisbon, and Portugal's revolutionary disorder and inability to defend Timor. In early December 1975, before Portugal granted formal independence and as one party, FRETILIN, unilaterally declared East Timor's independence, Indonesia's armed forces invaded, conquered, and annexed East Timor. Indonesian occupation encountered East Timorese resistance, and a heavy loss of life followed. The East Timor question remained a contentious international issue in the UN, as well as in Lisbon and Jakarta, for more than 20 years following Indonesia's invasion and annexation of the former colony of Portugal. Major changes occurred, beginning in 1998, after Indonesia underwent a political revolution and allowed a referendum in East Timor to decide that territory's political future in August 1999. Most East Timorese chose independence, but Indonesian forces resisted that verdict until
       UN intervention in September 1999. Following UN rule for several years, East Timor attained full independence on 20 May 2002.
       Consolidation of Democracy, 1976-2000
       After several free elections and record voter turnouts between 25 April 1975 and June 1976, civil war was averted and Portugal's second democratic republic began to stabilize. The MFA was dissolved, the military were returned to the barracks, and increasingly elected civilians took over the government of the country. The 1976 Constitution was revised several times beginning in 1982 and 1989, in order to reempha-size the principle of free enterprise in the economy while much of the large, nationalized sector was privatized. In June 1976, General Ram-alho Eanes was elected the first constitutional president of the republic (five-year term), and he appointed socialist leader Dr. Mário Soares as prime minister of the first constitutional government.
       From 1976 to 1985, Portugal's new system featured a weak economy and finances, labor unrest, and administrative and political instability. The difficult consolidation of democratic governance was eased in part by the strong currency and gold reserves inherited from the Estado Novo, but Lisbon seemed unable to cope with high unemployment, new debt, the complex impact of the refugees from Africa, world recession, and the agitation of political parties. Four major parties emerged from the maelstrom of 1974-75, except for the Communist Party, all newly founded. They were, from left to right, the Communists (PCP); the Socialists (PS), who managed to dominate governments and the legislature but not win a majority in the Assembly of the Republic; the Social Democrats (PSD); and the Christian Democrats (CDS). During this period, the annual growth rate was low (l-2 percent), and the nationalized sector of the economy stagnated.
       Enhanced economic growth, greater political stability, and more effective central government as of 1985, and especially 1987, were due to several developments. In 1977, Portugal applied for membership in the European Economic Community (EEC), now the European Union (EU) since 1993. In January 1986, with Spain, Portugal was granted membership, and economic and financial progress in the intervening years has been significantly influenced by the comparatively large investment, loans, technology, advice, and other assistance from the EEC. Low unemployment, high annual growth rates (5 percent), and moderate inflation have also been induced by the new political and administrative stability in Lisbon. Led by Prime Minister Cavaco Silva, an economist who was trained abroad, the PSD's strong organization, management, and electoral support since 1985 have assisted in encouraging economic recovery and development. In 1985, the PSD turned the PS out of office and won the general election, although they did not have an absolute majority of assembly seats. In 1986, Mário Soares was elected president of the republic, the first civilian to hold that office since the First Republic. In the elections of 1987 and 1991, however, the PSD was returned to power with clear majorities of over 50 percent of the vote.
       Although the PSD received 50.4 percent of the vote in the 1991 parliamentary elections and held a 42-seat majority in the Assembly of the Republic, the party began to lose public support following media revelations regarding corruption and complaints about Prime Minister Cavaco Silva's perceived arrogant leadership style. President Mário Soares voiced criticism of the PSD's seemingly untouchable majority and described a "tyranny of the majority." Economic growth slowed down. In the parliamentary elections of 1995 and the presidential election of 1996, the PSD's dominance ended for the time being. Prime Minister Antônio Guterres came to office when the PS won the October 1995 elections, and in the subsequent presidential contest, in January 1996, socialist Jorge Sampaio, the former mayor of Lisbon, was elected president of the republic, thus defeating Cavaco Silva's bid. Young and popular, Guterres moved the PS toward the center of the political spectrum. Under Guterres, the PS won the October 1999 parliamentary elections. The PS defeated the PSD but did not manage to win a clear, working majority of seats, and this made the PS dependent upon alliances with smaller parties, including the PCP.
       In the local elections in December 2001, the PSD's criticism of PS's heavy public spending allowed the PSD to take control of the key cities of Lisbon, Oporto, and Coimbra. Guterres resigned, and parliamentary elections were brought forward from 2004 to March 2002. The PSD won a narrow victory with 40 percent of the votes, and Jose Durão Barroso became prime minister. Having failed to win a majority of the seats in parliament forced the PSD to govern in coalition with the right-wing Popular Party (PP) led by Paulo Portas. Durão Barroso set about reducing government spending by cutting the budgets of local authorities, freezing civil service hiring, and reviving the economy by accelerating privatization of state-owned enterprises. These measures provoked a 24-hour strike by public-sector workers. Durão Barroso reacted with vows to press ahead with budget-cutting measures and imposed a wage freeze on all employees earning more than €1,000, which affected more than one-half of Portugal's work force.
       In June 2004, Durão Barroso was invited by Romano Prodi to succeed him as president of the European Commission. Durão Barroso accepted and resigned the prime ministership in July. Pedro Santana Lopes, the leader of the PSD, became prime minister. Already unpopular at the time of Durão Barroso's resignation, the PSD-led government became increasingly unpopular under Santana Lopes. A month-long delay in the start of the school year and confusion over his plan to cut taxes and raise public-sector salaries, eroded confidence even more. By November, Santana Lopes's government was so unpopular that President Jorge Sampaio was obliged to dissolve parliament and hold new elections, two years ahead of schedule.
       Parliamentary elections were held on 20 February 2005. The PS, which had promised the electorate disciplined and transparent governance, educational reform, the alleviation of poverty, and a boost in employment, won 45 percent of the vote and the majority of the seats in parliament. The leader of the PS, José Sôcrates became prime minister on 12 March 2005. In the regularly scheduled presidential elections held on 6 January 2006, the former leader of the PSD and prime minister, Aníbal Cavaco Silva, won a narrow victory and became president on 9 March 2006. With a mass protest, public teachers' strike, and street demonstrations in March 2008, Portugal's media, educational, and social systems experienced more severe pressures. With the spreading global recession beginning in September 2008, Portugal's economic and financial systems became more troubled.
       Owing to its geographic location on the southwestern most edge of continental Europe, Portugal has been historically in but not of Europe. Almost from the beginning of its existence in the 12th century as an independent monarchy, Portugal turned its back on Europe and oriented itself toward the Atlantic Ocean. After carving out a Christian kingdom on the western portion of the Iberian peninsula, Portuguese kings gradually built and maintained a vast seaborne global empire that became central to the way Portugal understood its individuality as a nation-state. While the creation of this empire allows Portugal to claim an unusual number of "firsts" or distinctions in world and Western history, it also retarded Portugal's economic, social, and political development. It can be reasonably argued that the Revolution of 25 April 1974 was the most decisive event in Portugal's long history because it finally ended Portugal's oceanic mission and view of itself as an imperial power. After the 1974 Revolution, Portugal turned away from its global mission and vigorously reoriented itself toward Europe. Contemporary Portugal is now both in and of Europe.
       The turn toward Europe began immediately after 25 April 1974. Portugal granted independence to its African colonies in 1975. It was admitted to the European Council and took the first steps toward accession to the European Economic Community (EEC) in 1976. On 28 March 1977, the Portuguese government officially applied for EEC membership. Because of Portugal's economic and social backwardness, which would require vast sums of EEC money to overcome, negotiations for membership were long and difficult. Finally, a treaty of accession was signed on 12 June 1985. Portugal officially joined the EEC (the European Union [EU] since 1993) on 1 January 1986. Since becoming a full-fledged member of the EU, Portugal has been steadily overcoming the economic and social underdevelopment caused by its imperial past and is becoming more like the rest of Europe.
       Membership in the EU has speeded up the structural transformation of Portugal's economy, which actually began during the Estado Novo. Investments made by the Estado Novo in Portugal's economy began to shift employment out of the agricultural sector, which, in 1950, accounted for 50 percent of Portugal's economically active population. Today, only 10 percent of the economically active population is employed in the agricultural sector (the highest among EU member states); 30 percent in the industrial sector (also the highest among EU member states); and 60 percent in the service sector (the lowest among EU member states). The economically active population numbers about 5,000,000 employed, 56 percent of whom are women. Women workers are the majority of the workforce in the agricultural and service sectors (the highest among the EU member states). The expansion of the service sector has been primarily in health care and education. Portugal has had the lowest unemployment rates among EU member states, with the overall rate never being more than 10 percent of the active population. Since joining the EU, the number of employers increased from 2.6 percent to 5.8 percent of the active population; self-employed from 16 to 19 percent; and employees from 65 to 70 percent. Twenty-six percent of the employers are women. Unemployment tends to hit younger workers in industry and transportation, women employed in domestic service, workers on short-term contracts, and poorly educated workers. Salaried workers earn only 63 percent of the EU average, and hourly workers only one-third to one-half of that earned by their EU counterparts. Despite having had the second highest growth of gross national product (GNP) per inhabitant (after Ireland) among EU member states, the above data suggest that while much has been accomplished in terms of modernizing the Portuguese economy, much remains to be done to bring Portugal's economy up to the level of the "average" EU member state.
       Membership in the EU has also speeded up changes in Portuguese society. Over the last 30 years, coastalization and urbanization have intensified. Fully 50 percent of Portuguese live in the coastal urban conurbations of Lisbon, Oporto, Braga, Aveiro, Coimbra, Viseu, Évora, and Faro. The Portuguese population is one of the oldest among EU member states (17.3 percent are 65 years of age or older) thanks to a considerable increase in life expectancy at birth (77.87 years for the total population, 74.6 years for men, 81.36 years for women) and one of the lowest birthrates (10.59 births/1,000) in Europe. Family size averages 2.8 persons per household, with the strict nuclear family (one or two generations) in which both parents work being typical. Common law marriages, cohabitating couples, and single-parent households are more and more common. The divorce rate has also increased. "Youth Culture" has developed. The young have their own meeting places, leisure-time activities, and nightlife (bars, clubs, and discos).
       All Portuguese citizens, whether they have contributed or not, have a right to an old-age pension, invalidity benefits, widowed persons' pension, as well as payments for disabilities, children, unemployment, and large families. There is a national minimum wage (€385 per month), which is low by EU standards. The rapid aging of Portugal's population has changed the ratio of contributors to pensioners to 1.7, the lowest in the EU. This has created deficits in Portugal's social security fund.
       The adult literacy rate is about 92 percent. Illiteracy is still found among the elderly. Although universal compulsory education up to grade 9 was achieved in 1980, only 21.2 percent of the population aged 25-64 had undergone secondary education, compared to an EU average of 65.7 percent. Portugal's higher education system currently consists of 14 state universities and 14 private universities, 15 state polytechnic institutions, one Catholic university, and one military academy. All in all, Portugal spends a greater percentage of its state budget on education than most EU member states. Despite this high level of expenditure, the troubled Portuguese education system does not perform well. Early leaving and repetition rates are among the highest among EU member states.
       After the Revolution of 25 April 1974, Portugal created a National Health Service, which today consists of 221 hospitals and 512 medical centers employing 33,751 doctors and 41,799 nurses. Like its education system, Portugal's medical system is inefficient. There are long waiting lists for appointments with specialists and for surgical procedures.
       Structural changes in Portugal's economy and society mean that social life in Portugal is not too different from that in other EU member states. A mass consumption society has been created. Televisions, telephones, refrigerators, cars, music equipment, mobile phones, and personal computers are commonplace. Sixty percent of Portuguese households possess at least one automobile, and 65 percent of Portuguese own their own home. Portuguese citizens are more aware of their legal rights than ever before. This has resulted in a trebling of the number of legal proceeding since 1960 and an eight-fold increase in the number of lawyers. In general, Portuguese society has become more permissive and secular; the Catholic Church and the armed forces are much less influential than in the past. Portugal's population is also much more culturally, religiously, and ethnically diverse, a consequence of the coming to Portugal of hundreds of thousands of immigrants, mainly from former African colonies.
       Portuguese are becoming more cosmopolitan and sophisticated through the impact of world media, the Internet, and the World Wide Web. A prime case in point came in the summer and early fall of 1999, with the extraordinary events in East Timor and the massive Portuguese popular responses. An internationally monitored referendum in East Timor, Portugal's former colony in the Indonesian archipelago and under Indonesian occupation from late 1975 to summer 1999, resulted in a vote of 78.5 percent for rejecting integration with Indonesia and for independence. When Indonesian prointegration gangs, aided by the Indonesian military, responded to the referendum with widespread brutality and threatened to reverse the verdict of the referendum, there was a spontaneous popular outpouring of protest in the cities and towns of Portugal. An avalanche of Portuguese e-mail fell on leaders and groups in the UN and in certain countries around the world as Portugal's diplomats, perhaps to compensate for the weak initial response to Indonesian armed aggression in 1975, called for the protection of East Timor as an independent state and for UN intervention to thwart Indonesian action. Using global communications networks, the Portuguese were able to mobilize UN and world public opinion against Indonesian actions and aided the eventual independence of East Timor on 20 May 2002.
       From the Revolution of 25 April 1974 until the 1990s, Portugal had a large number of political parties, one of the largest Communist parties in western Europe, frequent elections, and endemic cabinet instability. Since the 1990s, the number of political parties has been dramatically reduced and cabinet stability increased. Gradually, the Portuguese electorate has concentrated around two larger parties, the right-of-center Social Democrats (PSD) and the left-of-center Socialist (PS). In the 1980s, these two parties together garnered 65 percent of the vote and 70 percent of the seats in parliament. In 2005, these percentages had risen to 74 percent and 85 percent, respectively. In effect, Portugal is currently a two-party dominant system in which the two largest parties — PS and PSD—alternate in and out of power, not unlike the rotation of the two main political parties (the Regenerators and the Historicals) during the last decades (1850s to 1880s) of the liberal constitutional monarchy. As Portugal's democracy has consolidated, turnout rates for the eligible electorate have declined. In the 1970s, turnout was 85 percent. In Portugal's most recent parliamentary election (2005), turnout had fallen to 65 percent of the eligible electorate.
       Portugal has benefited greatly from membership in the EU, and whatever doubts remain about the price paid for membership, no Portuguese government in the near future can afford to sever this connection. The vast majority of Portuguese citizens see membership in the EU as a "good thing" and strongly believe that Portugal has benefited from membership. Only the Communist Party opposed membership because it reduces national sovereignty, serves the interests of capitalists not workers, and suffers from a democratic deficit. Despite the high level of support for the EU, Portuguese voters are increasingly not voting in elections for the European Parliament, however. Turnout for European Parliament elections fell from 40 percent of the eligible electorate in the 1999 elections to 38 percent in the 2004 elections.
       In sum, Portugal's turn toward Europe has done much to overcome its backwardness. However, despite the economic, social, and political progress made since 1986, Portugal has a long way to go before it can claim to be on a par with the level found even in Spain, much less the rest of western Europe. As Portugal struggles to move from underde-velopment, especially in the rural areas away from the coast, it must keep in mind the perils of too rapid modern development, which could damage two of its most precious assets: its scenery and environment. The growth and future prosperity of the economy will depend on the degree to which the government and the private sector will remain stewards of clean air, soil, water, and other finite resources on which the tourism industry depends and on which Portugal's world image as a unique place to visit rests. Currently, Portugal is investing heavily in renewable energy from solar, wind, and wave power in order to account for about 50 percent of its electricity needs by 2010. Portugal opened the world's largest solar power plant and the world's first commercial wave power farm in 2006.
       An American documentary film on Portugal produced in the 1970s described this little country as having "a Past in Search of a Future." In the years after the Revolution of 25 April 1974, it could be said that Portugal is now living in "a Present in Search of a Future." Increasingly, that future lies in Europe as an active and productive member of the EU.

    Historical dictionary of Portugal > Historical Portugal

  • 5 CULTURE, LITERATURE, AND LANGUAGE

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       ■, and Harry M. Makler, eds. Contemporary Portugal: The Revolution and Its Antecedents. Austin: University of Texas Press, 1979.
       ■, and Douglas L. Wheeler, eds. In Search of Modern Portugal: The Revolution and Its Consequences. Madison: University of Wisconsin Press, 1983.
       ■ Grayson, George W. "Portugal and the Armed Forces Movement." Orbis XIX, 2 (Summer 1975): 335-78.
       ■ Green, Gil. Portugal's Revolution. New York: International, 1976.
       ■ Hammond, John L. Building Popular Power: Workers' and Neighborhood Movements in the Portuguese Revolution. New York: Monthly Review Press, 1988.
       ■ Harsgor, Michael. Naissance d'un Nouveau Portugal. Paris: Ed. du Seuil, 1975.
       ■. Portugal in Revolution. Washington, D.C.: CSIS and Sage, 1976.
       ■ Harvey, Robert. Portugal, Birth of a Democracy. London: Macmillan, 1978.
       ■ Herr, Richard, ed. Portugal: The Long Road to Democracy and Europe. Berkeley, Calif.: International and Area Studies, 1992.
       ■ Insight Team of the Sunday [London] Times. Insight on Portugal: The Year of the Captains. London: Deutsch, 1975.
       ■ Janitschek, Hans. Mario Soares: Portrait of a Hero. London: Weidenfeld & Nicolson, 1985.
       ■ Keefe, Eugene K., et al. Area Handbook for Portugal, 1st ed. Washington, D.C.: Foreign Area Studies of American University, 1977. Kramer, Jane. "A Reporter at Large: The Portuguese Revolution." The New Yorker (Dec. 15, 1975): 92-131.
       ■ Lauré, Jason, and Ettagal Lauré. Jovem Portugal: After the Revolution. New York: Straus, Farrar and Giroux, 1977.
       ■ Livermore, H. V. A New History of Portugal. Cambridge: Cambridge University Press, 1976.
       ■ Lourenço, Eduardo. Os Militares e O Poder. Lisbon, 1975.
       ■. O Fascismo Nunca Existiu. Lisbon, 1976.
       ■. "Identidade e Memôria: o caso português." In E. de Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-l 984, 17-22. Lisbon, 1985.
       ■. "A herança de duas revoluções." In M. Baptista Coelho, ed., Portugal: O Sistema Político e Constitucional, 1974-87, 505-55. Lisbon, 1989.
       ■ Macedo, Jorge Braga de, and S. Serfaty. Portugal since the Revolution: Economic and Political Perspectives. New York: Praeger, 1981.
       ■ Magone, José M. European Portugal: The Difficult Road to Sustainable Democracy. New York: St. Martin's, 1997. Mailer, Phil. Portugal: The Impossible Revolution. London: Solidarity, 1977. Manta, João Abel. Cartoons/ 1969-1975. Lisbon, 1975.
       ■ Manuel, Paul C. Uncertain Outcome: The Politics of Portugal's Transition to Democracy. Lanham, Md. and London: University Press of America, 1994.
       ■ Mateus, Rui. Contos Proibidos. Memorias de Um PS Desconhecido, 3rd ed. Lisbon: Dom Quixote, 1996.
       ■ Maxwell, Kenneth. "Portugal under Pressure." The New York Review of Books (May 2, 1974).
       ■. "The Hidden Revolution in Portugal." The New York Review of Books (April 17, 1975).
       ■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.
       ■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.
       ■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.
       ■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.
       ■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.
       ■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.
       ■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.
       ■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.
       ■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.
       ■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.
       ■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.
       ■. A Constituição de 1976. Lisbon, 1978.
       ■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.
       ■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.
       ■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.
       ■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.
       ■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.
       ■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.
       ■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.
       ■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.
       ■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.
       ■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).
       ■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.
       ■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.
       ■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.
       ■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.
       ■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].
       ■. Estudos Sobre a Crise Nacional. Lisbon, 1980.
       ■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.
       ■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.
       ■. Portugal Depois De Abril. Lisbon, 1976.
       ■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.
       ■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.
       ■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.
       ■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.
       ■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.
       ■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.
       ■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,
       ■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.
       ■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).
       ■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.
       ■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.
       ■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.
       ■ Stock, Maria José. Os Partidos do Poder: Dez Anos Depois do " 25 De Abril." Evora, 1986.
       ■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.
       ■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.
       ■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.
       ■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.
       ■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.
       ■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.
       ■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.
       ■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA
       ■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.
       ■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.
       ■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.
       ■. Atlas de Portugal, 2nd ed. Coimbra, 1958.
       ■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.
       ■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.
       ■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.
       ■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.
       ■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.
       ■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.
       ■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.
       ■ ARCHAEOLOGY AND PREHISTORY
       ■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).
       ■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da
       ■ Arte em Portugal. Lisbon: Alfa, 1986.
       ■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.
       ■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.
       ■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.
       ■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.
       ■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.
       ■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.
       ■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.
       ■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.
       ■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.
       ■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:
       ■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.
       ■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS
       ■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.
       ■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.
       ■ Boyd Alexander, ed. London: Hart-Davies, 1954.
       ■. Recollections of an Excursion to the Monasteries of Alcoboca and Batalha. Fontwell, U.K.: Centaur Press, 1972.
       ■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.
       ■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.
       ■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.
       ■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.
       ■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.
       ■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.
       ■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.
       ■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.
       ■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.
       ■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.
       ■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.
       ■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.
       ■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.
       ■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.
       ■ Hume, Martin. Through Portugal. London: Richards, 1907.
       ■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.
       ■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.
       ■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.
       ■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.
       ■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.
       ■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.
       ■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.
       ■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.
       ■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.
       ■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.
       ■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.
       ■ Murphy, J. C. Travels in Portugal. London: 1795.
       ■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.
       ■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.
       ■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.
       ■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION
       ■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.
       ■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.
       ■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.
       ■. Os Descobrimentos Portugueses. Lisbon, 1985.
       ■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.
       ■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.
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       ■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.
       ■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.
       ■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.
       ■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.
       ■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.
       ■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.
       ■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.
       ■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.
       ■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.
       ■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.
       ■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.
       ■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]
       ■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.
       ■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.
       ■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.
       ■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.
       ■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.
       ■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.
       ■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.
       ■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.
       ■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.
       ■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.
       ■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.
       ■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.
       ■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.
       ■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.
       ■ Seary, E. R. "The Portuguese Element in the Place Names of Newfoundland." In Luís Albuquerque, ed., Vice-Almirante A. Teixeira da Mota: In Memo-riam. Vol. II, 359-64. Lisbon: Academia da Marinha, 1989.
       ■ Subrahmanyam, Sanjay. The Career and Legend of Vasco Da Gama. Cambridge: Cambridge University Press, 1997.
       ■ Velho, Alvaro. Roteiro ( Navigator's Route) da Primeira Viagem de Vasco da Gama ( 1497-1499). Lisbon, 1960.
       ■ Winius, George, ed. Portugal, the Pathfinder: Journeys from the Medieval toward the Modern World 1300-ca. 1600. Madison, Wisc.: Hispanic Seminary of Medieval Studies, 1995.
       ■ PORTUGAL AND HER OVERSEAS EMPIRES (1415-1975)
       ■ Abshire, David M., and Michael A. Samuels, eds. Portuguese Africa: A Handbook. New York: Praeger, 1969.
       ■ Afonso, Aniceto, and Carlos de Matos Gomes. Guerra Colonial. Lisbon: Noticias, 2001.
       ■ Albuquerque, J. Moushino de. Moçambique. Lisbon, 1898.
       ■ Alden, Dauril. The Making of an Enterprise: The Society of Jesus in Portugal, Its Empire & Beyond. Stanford, Calif.: Stanford University Press, 1995.
       ■ Alexandre, Valentim. Orígens do Colonialismo Português Moderno ( 18221891). Lisbon: Sá da Costa, 1979.
       ■. Velho Brasil, Novas Africas: Portugal e o Império ( 1808-1975). Oporto: Afrontamento, 2000.
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       ■ Serrão and A. H. de Oliveira Marques, eds., Nova História Da Expansão Portuguesa. Lisbon: Estampa, 1998.
       ■ Ames, Glen J. "The Carreira da India, 1668-1682: Maritime Enterprise and the Quest for Stability in Portugal's Asian Empire." Journal of European Economic History 20, 1 (1991): 7-28.
       ■. Renascent Empire? The House of Braganza and the Quest for Stability in Portuguese Monsoon Asia, ca. 1640-1683. Amsterdam: Amsterdam Univ.Press, 2000.
       ■. Vasco da Gama. Renaissance Crusader. New York: Pearson/Longman, 2005.
       ■ Antunes, José Freire. O Império com Pés de Barro: Colonizaçao e Descolonização: As Ideologias em Portugal. Lisbon: D. Quixote, 1980.
       ■. O Factor Africano 1890-1990. Lisbon: Bertrand, 1990.
       ■. A Guerra De Africa 1961-1974, 2 vols. Lisbon: Círculo de Leitores, 1995-96.
       ■. Jorge Jardim: Agente Secreto 1919-1982. Lisbon: Bertrand, 1996.
       ■ Axelson, Eric A. South-East Africa, 1488-1530. London: Longmans, 1940.
       ■. "Prince Henry and the Discovery of the Sea Route to India." Geographical Journal (U.K.) 127, 2 (June 1961): 145-58.
       ■. Portugal and the Scramble for Africa, 1875-1891. Johannesburg: Witwaterstrand University Press, 1967.
       ■. Portuguese in South-East Africa, 1488-1699. Cape Town: Struik, 1973.
       ■. Congo to Cape: Early Portuguese Explorers. New York: Harper & Row, 1974.
       ■ Azevedo, Mário. Historical Dictionary of Mozambique, 2nd ed. Lanham, Md.: Scarecrow Press, 2003.
       ■ Baião, António, Hernãni Cidade, and Manuel Murias, eds. História da Expansão Portuguesa no Mundo, 4 vols. Lisbon, 1937-40.
       ■ Bender, Gerald J. "The Limits of Counterinsurgency [in the Angolan War, 1961-72]." Comparative Politics (1972): 331-60.
       ■. Angola under the Portuguese: The Myth Versus Reality. Berkeley: University of California Press, 1978.
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       ■ ———. The Golden Age of Brazil, 1695-1750. Berkeley: University of California Press, 1962.
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       ■ ———. The Portuguese Seaborne Empire 1415-1825. London: Hutchi nson, 1969.
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       ■ Broadhead, Susan H. Historical Dictionary of Angola, 2nd ed. Metuchen, N.J.: Scarecrow Press, 1992.
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       ■ ARTS, ARCHITECTURE, URBAN PLANNING, MUSIC
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       ■ Cinema
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       ■ Castilho, Júlio de. Lisboa Antiga, 7 vols. Lisbon, 1935-45.
       ■ Couto, Dejanirah. Histoire de Lisbonne. Paris: Fayard, 2000.
       ■ Crespo, Ángel. Lisboa Mítica e Literária. Lisbon: Liv. Horizonte, 1987.
       ■ Dias, Marina Tavares. Lisboa Desaparecida. Lisbon: Quimera, 1990.
       ■ Dionísio, Sant'anna, ed. Guia de Portugal. Vol. I: Lisboa e Arredores. Lisbon: Biblioteca Nacional de Lisboa, 1924, orig. ed; reprint, Gulbenkian Foundation, 1979.
       ■ França, José-Augusto. Lisboa Pombalina e o Iluminismo. Lisbon: Bertrand, 1977.
       ■ Moita, Irisalva, ed. O Livro de Lisboa. Lisbon: Liv. Horizonte, 1994.
       ■ Neves, Orlando. Lisboa em Crónica. Lisbon: Author's Ed., 1968.
       ■ Pavão, Luís, and Mário Pereira. Tabernas de Lisboa. Lisbon: Assírio & Alvim, 1981.
       ■ Pessoa, Fernando. Lisboa. O que o turista deve ver: What the Tourist Should See. Lisbon: Liv. Horizonte, 1997.
       ■ Queirós, José Maria Eça de. À Capital. Lisbon: Sá da Costa, 1960.
       ■ Santos, Piedade Braga, et al. Lisboa Setecentista vista por Estrangeiros. Lisbon: Liv. Horizonte, 1996.
       ■ Vieira, Alice. Esta Lisboa. Lisbon: Caminho, 1993.
       ■ Wright, David, and Patrick Swift. Lisbon: A Portrait and Guide. New York: Scribners, 1971.
       ■ Azevedo, João Lúcio. Historia das Cristãos-Novos. Lisbon: Liv. Clássica, 1975.
       ■ Baião, António. A Inquisição em Portugal e no Brasil: Subsídios para a sua história. Lisbon: Arquivo Histórico Portugues, 1906. Bethencourt, Francisco. "Portugal: A Scrupulous Inquisition," In Bengt Ankarloo and Gustav Henningsen, eds., Early Modern Witchcraft: Centres and Peripheries, 403-22. Oxford: Clarendon Press, 1990.
       ■. "Os equilíbrios sociais do Poder." In José Mattoso, ed., Historia De Portugal, Vol. 3, No Alvorecer Da Modernidade ( 1480-1620). Lisbon: Estampa, 1993.
       ■. História das Inquisições: Portugal, Espanha e Itália. Lisbon: Círculo de Leitores, 1994.
       ■ Braga, Maria Luísa. A Inquisição em Portugal na primeira metade do Séc. XVIII. Lisbon: Inst. Nacional de Investigação Científica, 1992.
       ■ Haliczer, Stephen, ed. Inquisition and Society in Early Modern Europe. London: Croom Helm, 1987.
       ■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. Reprint. New York: AMS Press, 1968.
       ■ Magalhães, Joaquim Romero. "Em Busca dos Tempos da Inquisição (15731615)." Revista de História das Ideias 9 (1987): 191-228.
       ■ Mea, Elvira Cunha Azevedo. A Inquisição de Coimbra no Século XVI. Oporto, 1989.
       ■ Mendonça, José Lourenço D. de, and António Joaquim Moreira. História da Inquisição em Portugal. Lisbon: Círculo de Leitores, 1980.
       ■ Novinsky, Anita, and Luísa M. Carneiro, eds. Inquisição: Ensaios sobre Mentalidade, Heresias e Arte. Rio de Janeiro: Expressão e Cultura, 1992.
       ■ Pereira, Isais da Rosa. Documentos para a história da Inquisição em Portugal. Lisbon, 1987.
       ■ Rego, Yvonne Cunha, ed. Feiticeiros, Profetas e Visionários: Textos Antigos Portugueses. Lisbon: Imprensa Nacional e Casa da Moeda, 1981.
       ■ Saraiva, António José. Inquisição e cristãos-novos. Lisbon: Estampa, 1985.
       ■ Walker, Timothy Dale. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, Department of History, Boston University, 2001.
       ■ Literature in English Translation: Selection
       ■ Alcaforado, Mariana. The Letters of a Portuguese Nun ( Mariana Alcaforado). Edgar Prestage, trans. London: D. Nutt, 1893.
       ■ Andrade, Eugénio de. "White on White." Alexis Levitin, trans. Quarterly Review of Literature. Poetry Series VIII. Vol. 27. Princeton, N.J., 1987.
       ■. Another Name for Earth; O outro nome da terra. Alexis Levitin, trans. Ft. Bragg, Calif.: QED Press, 1997.
       ■ Andresen, Sophia de Mello Breyner. Marine Rose: Selected Poems. Ruth Fain-light, trans. Redding Ridge, Conn.: Swan Books, 1989.
       ■ Antunes, António Lobo. South of Nowhere. Elizabeth Lowe, trans. New York: Random House, 1983.
       ■. Fado Alexandrino. Gregory Rabassa, trans. New York: Grove Weidenfeld, 1990.
       ■. An Explanation of the Birds. Richard Zenith, trans. New York: Grove Weidenfeld, 1991.
       ■. Act of the Damned. New York: Grove Press, 1995.
       ■. The Natural Order of Things. New York: Grove Press, 2000.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. The Three Marias: New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Bell, Aubrey F. G. Poems from the Portuguese ( with the Portuguese text). A.
       ■ Bell, trans. Oxford: Blackwell, 1913.
       ■ Camões, Luís de. The Lusiads of Luís de Camões. Leonard Bacon, trans. New York: Hispanic Society of America, 1950.
       ■. The Lusiads. William C. Atkinson, trans. Harmondsworth, U.K.: Penguin, 1952.
       ■. The Lusiads. Landeg White, trans. New York: Oxford University Press, 1997.
       ■ Castelo Branco, Camilo. Doomed Love ( A Family Memoir). Alice R. Clemente, trans Providence, R.I.: Gávea-Brown, 1995. Castro, José Maria Ferreira de. Emigrants. Dorothy Ball, trans. New York: Macmillan, 1962.
       ■. Jungle. Charles Duff, trans. New York: Viking, 1935.
       ■. The Mission. Ann Stevens, trans. London: Hamilton, 1963.
       ■ Dantas, Júlio. The Cardinals' Collation, 48th ed. A. Saintsbury, trans. London, 1962.
       ■ Dias de Melo. Dark Stones. Gregory McNab, trans. Providence, R.I.: Gávea-Brown, 1996.
       ■ Dinis, Júlio. The Fidalgos of Casa Mourisca. Rosanna Dabney, trans. Boston: D. Lothrop, 1891.
       ■ Garrett, Almeida. Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.
       ■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.
       ■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.
       ■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.
       ■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.
       ■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.
       ■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].
       ■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George
       ■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.
       ■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.
       ■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.
       ■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.
       ■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.
       ■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.
       ■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. Providence, R.I.: Gávea-Brown, 2000.
       ■ Paço D'Arcos, Joaquim. Memoirs of a Banknote. Robert Lyle, trans. London, 1968.
       ■ Pedroso, Consiglieri, comp. Portuguese Folk-Tales. Henriqueta Monteiro, trans. Reprint of orig. 1882 ed. New York: Benjamin Blom, 1969.
       ■ Pessoa, Fernando. Fernando Pessoa: Sixty Portuguese Poems. F. E. G. Quintanilha, ed. and trans. Cardiff: University of Wales Press, 1971.
       ■. Selected Poems: Fernando Pessoa. 2nd rev. ed. Jonathan Griffin, trans. Harmondsworth, U.K.: Penguin, 1982.
       ■. The Book of Disquiet. Alfred MacAdams, trans. New York: Pantheon, 1991.
       ■. Fernando Pessoa: Selected Poems. Peter Rickard, ed. and trans. Edinburgh, U.K.: Edinburgh University Press, 1991.
       ■. "The Mariner: A 'Static Drama' in One Act." In Translation: Portugal.
       ■ George Ritchie, et al., trans. The Journal of Literary Translation. Vol. XXV, 38-56. New York: Translation Center, Columbia University, 1991.
       ■. Message: Bilingual Edition. Jonathan Griffin, trans. London: Menard Press and King's College, 1992.
       ■ Pires, José Cardoso. Ballad of a Dog's Beach. Mary Fitton, trans. London: J. M. Dent, 1986.
       ■ Queirós, José Maria Eça de. Cousin Bazilio. Roy Campbell, trans. London: Max Reinhardt, 1953.
       ■. The Relic. Aubrey F. G. Bell, trans. London: Max Reinhardt, 1954.
       ■. The City and the Mountains. Roy Campbell, trans. London: Max Reinhardt, 1955.
       ■. The Sin of Father Amaro. Nan Flanagan, trans. London: Max Reinhardt, 1962.
       ■. The Maias. Patricia McGowan Pinheiro, trans. London: Bodley Head, 1965.
       ■. The Illustrious House of Ramires. Ann Stevens, trans. London: Bodley Head, 1968.
       ■. Letters from England. Ann Stevens, trans. London: Bodley Head, 1970.
       ■. To the Capital. John Vetch, trans. Manchester, U.K.: Carcanet, 1995.
       ■ Quental, Antero de. Sixty-four Sonnets. Edgar Prestage, trans. London: David Nutt, 1894.
       ■ Redol, Alves. The Man with Seven Names. L. L. Barrett, trans. New York: Knopf, 1964.
       ■ Resende, André de. André deResende's 'Poema Latina'/ 'Latinpoems.' J. C. R. Martyn, ed. and trans. Lewiston N.Y.: Lampeter and Edwin Mellen, 1998. Ribeiro, Aquilino. When the Wolves Howl. Patricia McGowan Pinheiro, trans. New York: Macmillan; London: Cape, 1963. Sá Carneiro, Mário de. The Great Shadow ( and Other Stories). Margaret Jull Costa, trans. Sawtry, U.K.: Dedalus, 1996. Santareno, Bernardo. The Promise. Nelson H. Vieira, trans. Providence, R.I.: Gávea-Brown, 1981.
       ■ Saramago, José. Baltasar and Blimunda. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1987.
       ■. The Stone Raft. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The Year of the Death of Ricardo Reis. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The History of the Siege of Lisbon. Giovanni Pontiero, trans. New York: Harcourt Brace, 1996.
       ■. Blindness. New York: Harcourt, Brace, 1999.
       ■. Tale of the Unknown Island. New York: Harcourt Brace, 2000.
       ■. All the Names. Margaret Jull Costa, trans. New York: Harcourt, 2000.
       ■. Journey to Portugal. New York: Harcourt Brace, 2001.
       ■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.
       ■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.
       ■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.
       ■. Lyrics of Gil Vicente. Aubrey F. G. Bell, trans. Oxford: Oxford University Press, Hispanic Notes and Monographs, Portuguese Series 1, 1921.
       ■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.
       ■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.
       ■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.
       ■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.
       ■ Portuguese and Portuguese-American Cooking: Cuisine
       ■ Anderson, Jean. Food of Portugal. New York: Hearst, 1994. Asselin, E. Donald. A Portuguese-American Cookbook. Rutland, Vt.: Charles E. Tuttle, 1966.
       ■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.
       ■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.
       ■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.
       ■ Koehler, Margaret H. Recipes from the Portuguese of Provincetown. Riverside, Conn.: Chatham Press, 1973. Manjny, Maite. The Home Book of Portuguese Cookery. London: Faber & Faber, 1974.
       ■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.
       ■ Modesto, Maria de Lourdes. Cozinha Tradicional Portuguesa. Lisbon: Verbo, 1982.
       ■ Ortiz, Elisabeth Lambert. The Food of Spain and Portugal. The Complete Iberian Cuisine. New York: Atheneum, 1989. Pinto, Elvira. La Bonne Cuisine Portugaise. Paris: Edicions Garanciere, 1985.
       ■ Robertson, Carol. Portuguese Cooking: The Authentic and Robust Cuisine of Portugal. Berkeley Calif.: North Atlantic, 1993. Schmaeling, Tony. The Cooking of Spain and Portugal. Ware, U.K.: Omega, 1983.
       ■ Vieira, Édite. The Taste of Portugal. London: Robinson, 1989.
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       ■ Cane, Florence du. The Flowers and Gardens of Madeira. London, 1924.
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       ■ Costa, António da, and Luís de O. Franquinho. Madeira: Plantas e Floras. Funchal, 1986.
       ■ Nichols, Rose Standish. Spanish and Portuguese Gardens. Boston, 1926.
       ■ Pereira, Arthur D. Sintra and Its Farm Manors. Sintra, 1983.
       ■ Sampaio, Gonçalo. Flora Portuguesa. Lisbon, 1946.
       ■ Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1945.
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       ■ Vieira, Rui. Flowers of Madeira. Funchal, 1973.
       ■ Viterbo, Francisco Marques de Sousa. A Jardinagem em Portugal, 2 vols. Coimbra, 1906-9.
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       ■ Gaitonde, P. D. Portuguese Pioneers in India: Spotlight on Medicine. London: Sangam Books, 1983.
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       ■ Higgins, Michael H., and Charles F. S. de Winton. Survey of Education in Portugal. London, 1942.
       ■ Hirsch, Elizabeth Feist. Damião de Góis: The Life and Thought of a Portuguese Humanist. The Hague, 1967.
       ■ Lemos, Maximiano. Arquivos de História da Medicina Portuguesa. Several vols. Lisbon, 1886-1923. Vol. I. História da Medicina em Portugal. Doutrina e Instituições. Lisbon, 1899.
       ■ Mira, Matias Ferreira de. História da Medicina Portuguesa. Lisbon, 1948.
       ■ Orta, Garcia de. Colóquios dos Simples e Drogas e Cousas Medicinais da India. Conde de Ficalho, ed., 2 vols. Lisbon, 1891-95.
       ■ Osório, J. Pereira. História e Desenvolvimento da Ciência em Portugal, 2 vols. Lisbon, 1986-89.
       ■ Pina, Luís de. "Uma prioridade portuguesa do século XVI. João de Barros e a Dactiloscópia Oriental." Arquivo da Repartição de Antropologia Criminal IV (1936).
       ■. "As Ciências na História do Império Colonial Português — Séculos XV a XIX." Anais de Faculdade de Ciências do Porto ( 1939-10).
       ■. "Os Portugueses Mestres de Ciência e Metras no Estrangeiro." Actas do Congresso do Mundo Português. Lisbon, 1940.
       ■. "A Ciência em Portugal (bosquejo Histórico)." In Secretariado Nacional da Informação, ed., Portugal: Breviário Da Pátria Para Os Portugueses Ausentes, 277-301. Lisbon, 1946.
       ■ Richards, Robert A. C., ed. Guide to World Science: Vol. 9: Spain and Portugal, 2nd ed. Guernsey, U.K.: F. H. Books, 1974.
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       ■ Walker, Timothy. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, History Department, Boston University, 2001.
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       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. Novas Cartas Portuguesas. Lisbon, 1972.
       ■ ———. The Three Marias. New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Brettell, Caroline B. We Have Already Cried Many Tears: The Stories of Three Portuguese Migrant Women. Cambridge, Mass.: Schenkman, 1982.
       ■ Ferreira, Virginia. "Engendering Portugal: Social Change, State Politics, and Women's Social Mobilization." In António Costa Pinto, ed., Modern Portugal, 162-88. Palo Alto, Calif.: SPOSS, 1998.
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       ■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.
       ■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.
       ■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.
       ■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.
       ■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.
       ■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.
       ■ Robertson, George. Port. London: Faber & Faber, 1982 ed.
       ■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.
       ■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.
       ■ Simon, Andre L. Port. London: Constable, 1934.
       ■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.
       ■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.
       ■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.
       ■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.
       ■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.
       ■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.
       ■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.
       ■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.
       ■ ECONOMY, INDUSTRY, AND DEVELOPMENT
       ■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.
       ■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.
       ■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.
       ■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.
       ■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.
       ■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.
       ■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.
       ■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.
       ■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.
       ■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.
       ■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.
       ■. "Coming Home: A Survey of Portugal." (May 28, 1988).
       ■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.
       ■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.
       ■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.
       ■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.
       ■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.
       ■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.
       ■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.
       ■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.
       ■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.
       ■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.
       ■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].
       ■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.
       ■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.
       ■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.
       ■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.
       ■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.
       ■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.
       ■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.
       ■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.
       ■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.
       ■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.
       ■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.
       ■ PHOTOGRAPHY ON PORTUGAL
       ■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.
       ■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.
       ■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.
       ■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.
       ■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.
       ■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.
       ■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.
       ■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.
       ■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.
       ■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.
       ■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.
       ■ EQUESTRIANISM
       ■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.
       ■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.
       ■ Horsetalk Magazine. Published in New Zealand.
       ■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.
       ■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,
       ■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.
       ■ Websites of interest: www.equestrian.pt portugalweb.com

    Historical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE

  • 6 Witney, William N.

    1915-2002
       En sus inicios profesionales, a mediados de los anos 30, Witney hizo un poco de todo: fue montador, ayudante de direccion e, incluso, guionista, pero a partir de 1937 se dedico a la realizacion, convirtiendose en uno de los directores prolificos de Hollywood, en este caso para la productora Republic. En sus primeros anos como realizador, se especializo en seriales realizados en colaboracion, en particular con John English. La division del trabajo era sencilla: este rodaba las escenas de dialogo y los interiores, y Witney las escenas de accion. De este modo, fue adquiriendo justa fama como director de peliculas de accion, con grandes peleas y largas cabalgadas. Aunque la parte mas extensa de su filmografia la ocupan los westerns, es justo reconocer su labor en otros filmes de accion como Aventuras del capitan Maravillas (Adventures of Captain Marvel, 1941), se rial realizado con el ya citado John English. Como al gunos otros de sus companeros, sirvio extensamente a estrellas del western, en este caso Roy Rogers y Rex Allen. En sus peliculas hay de todo, pero no seria malo revisarlas con alguna atencion porque encontraremos en ellas no pocos detalles interesantes de personal estilo cinematografico.
        The Painted Stallion (co-d.: Alan James, Ray Taylor). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.
        The Trigger Trio. 1937. 60 minutos. Blanco y Negro. Republic. Ray Corrigan, Max Terhune, Sandra Corday, Hal Taliaferro.
        Zorro Rides Again (co-d.: John English). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. John Caroll, Helen Christian.
        The Painted Stallion (co-d.: Alan James, Ray Taylor). 1938. 67 minutos. Blanco y Negro. Ray Corrigan, Hoot Gibson, Jean Carmen.
        The Lone Ranger (co-d.: John English). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.
        The Lone Ranger Rides Again (co-d.: John English). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.
        Zorro’s Fighting Legion (co-d.: John English). 1939. 212 minutos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.
        Heroes of the Saddle. 1940. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Loretta Weaver, Patsy Lee Parsons.
        Hi-Yo Silver (co-d.: John English). 1940. 69 minutos. Blanco y Negro. Re public. Lee Powell, Lynne Roberts, Bruce Bennett.
        Adventures of Red Ryder (co-d.: John English). 1940. 205 minutos. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Berry, Vivian Coe.
        King of the Royal Mounted (El rey de la policia montada) (co-d.: John English). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.
        King of the Texas Rangers (co-d.: John English). 1941. 215 minutos. 12 ca pitulos. Blanco y Negro. Republic. Sammy Baugh, Pauine Moore, Duncan Renaldo.
        King of the Mounties. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.
        Outlaws of Pine Ridge. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Noah Beery.
        Yukon Patrol (co-d.: John English). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.
        Roll on, Texas Moon. 1946. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Home in Oklahoma. 1946. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Heldorado. 1946. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Apache Rose. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Olin Howlin.
        Bells of San Angelo. 1947. 78 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Andy Devine.
        Springtime in the Sierras. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        On the Old Spanish Trail. 1947. 75 minutos. Trucolor. Republic. Roy Ro gers, Jane Frazee, Andy Devine.
        The Gay Ranchero. 1948. 72 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        Under California Stars. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        Eyes of Texas. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Lynne Roberts, Andy Devine.
        Nightime in Nevada. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Adele Mara, Andy Devine.
        Grand Canyon Trail. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        The Far Frontier. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Gail Davis, Andy Devine.
        Susanna Pass. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Estelita Rodriguez.
        Down Dakota Way. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        The Golden Stallion. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        Bells of Coronado. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        Twilight in the Sierras. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        Trigger, Jr. 1950. 68 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady, Gordon Jones.
        Sunset in the West. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones, Estelita Rodriguez.
        North of the Great Divide. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        Trail of Robin Hood. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        Spoilers of the Plains. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        Heart of the Rockies. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        In Old Amarillo. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Pinky Lee, Estelita Rodriguez.
        South of Caliente. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee.
        Pals of the Golden West. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee, Estelita Rodriguez.
        Colorado Sundown. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, June Vincent, Mary Ellen Kay, Slim Pickens.
        The Last Musketeer. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.
        Border Saddlemates. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.
        Old Oklahoma Plains. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Elaine Edwards, Slim Pickens.
        South Pacific Trail. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Estelita Rodriguez, Slim Pickens.
        Old Overland Trail. 1953. 60 minutos. Blanco y Negro. Republic. Rex Allen, Virginia Hall, Slim Pickens.
        Iron Mountain Trail. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Nan Leslie, Slim Pickens.
        Down Laredo Way. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Dona Drake, Marjorie Lord, Slim Pickens.
        Shadows of Tomsbtone. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Jeanne Cooper, Slim Pickens.
        The Outcast. 1954. 90 minutos. Trucolor. Republic. John Derek, Joan Evans, Jim Davis, Catherine McLeod.
        Santa Fe Passage (Senderos de violencia). 1955. 90 minutos. Trucolor. Republic. John Payne, Faith Domergue, Rod Cameron, Slim Pickens.
        Stranger at My Door (Un extrano a mi puerta). 1956. 85 minutos. Blanco y Negro. Republic. MacDonald Carey, Patricia Medina, Skip Homeier.
        Zorro Rides Again (co-d.: John English). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.
        The Long Rope. 1961. 61 minutos. Blanco y Negro. CinemaScope. Fox. Hugh Marlowe, Lisa Montell, Alan Hale, Jr.
        Apache Rifles. 1964. 93 minutos. Color DeLuxe. Fox. Audie Murphy, Michael Dante, Linda Lawson.
        Arizona Raiders (El renegado de Arizona). 1965. 88 minutos. Technicolor. Techniscope. Admiral (Columbia). Audie Murphy, Michael Dante, Gloria Talbott, Ben Cooper.
        40 Guns to Apache Pass. 1967. 95 minutos. Eastmancolor. Admiral (Columbia). Audie Murphy, Laraine Stephens, Michael Burns.

    English-Spanish dictionary of western films > Witney, William N.

  • 7 Newfield, Sam

    1899-1964
       Nacido Samuel Neufeld, hermano de Sigmund Neufeld, futuro jefe de produccion de PRC, dirige cortometrajes desde 1926, y largometrajes desde 1933. Probablemente el mas prolifico realizador norteamericano de la era sonora, dirigio, sobre todo, westerns. Por sus manos paso una parte importante de los viejos heroes del genero, en peliculas de una hora de duracion y argumentos eternamente repetidos. Solo leer su filmografia produce cierto vertigo. Establecerla rigurosamente es una tarea ardua, especialmente en lo relativo al orden cronologico estricto, por lo que en esta ocasion mas que en ninguna otra hay que entender que ese orden es susceptible de correccion. Utiliza los seudonimos de Peter Stewart y Sherman Scott. Se ha prescindido de tres aparentes largometrajes, situados al final de su carrera y obtenidos, cada uno de ellos, por super posicion de dos episodios del serial televisivo “Hawkeye and the Last of the Mohicans”. Aunque el nivel medio de los filmes de Sam Newfeld es realmente bajo, hay que citar dos curiosidades: Harlem on the Prairie (1937) esta interpretado integramente por negros, y The Terror of Tiny Town (1938), por enanos, que se mueven en decorados de tamano normal.
        Undercover Men. 1935. 60 minutos. Blanco y Negro. Dominion. Charles Starrett, Adrienne Dore.
        Northern Frontier. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Eleanor Hunt, LeRoy Mason.
        Code of the Mounted (Fiel a su consigna). 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lilian Miles, Robert Warwick.
        Branded a Coward (El botin del rancho). 1935. 57 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Billie Seward, Syd Taylor.
        Trails of the Wild. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Billie Seward, Fuzzy Knight.
        Timber War. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lucille Lund, Lawrence Gray.
        Bulldog Courage. 1935. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury.
        Roarin’ Guns. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Rosalinda Rice, Rex Lease.
        Border Caballero. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Ralph Byrd.
        Lightnin’ Bill Carson. 1936. 57 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Rex Lease.
        Aces and Eights. 1936. 62 minutos. Blanco y Negro. Puritan. Tim McCoy, Luana Walters, Rex Lease.
        The Lion’s Den. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury, Don Barclay.
        Ghost Patrol. 1936. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Claudia Dell, Walter Miller.
        The Traitor. 1936. 56 minutos. Blanco y Negro. Puritan. Tim McCoy, Frances Grant, Wally Wales.
        Roarin’ Lead (co-d.: Mack V. Wright). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.
        Stormy Trails. 1936. 58 minutos. Blanco y Negro. Colony (Grand National). Rex Bell, Lois Wilde, Lane Chandler.
        The Gambling Terror. 1937. 53 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Horace Murphy.
        Lightnin’ Crandall. 1937. 60 minutos. Blanco y Negro. Republic. Bob Steele, Lois January, Frank LaRue.
        Trail of Vengeance. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith.
        Melody of the Plains. 1937. 55 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Louise Small.
        Bar-Z Bad Men. 1937. 57 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Lois January.
        Guns in the Dark. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Syd Saylor.
        Gun Lords of Stirrup Basin. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Frank LaRue.
        A Lawman Is Born. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Al St. John.
        Doomed at Sundown. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Lorraine Randall.
        Boothill Brigade. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Horace Murphy.
        Arizona Gunfighter. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Jean Carmen, Ted Adams.
        Ridin’ the Lone Trail. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Claire Rochelle, Charles King.
        Moonlight on the Range. 1937. 52 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Lois January.
        The Fighting Deputy. 1937. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Marjorie Beebe.
        The Colorado Kid. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.
        Harlem on the Prairie (co-d.: Jed Buell). 1937. 55 minutos. Blanco y Negro. Associated. Herbert Jeffries, Connie Harris.
        Paroled To Die. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Kathleen Eliot, Karl Hackett.
        The Ranger’s Roundup. 1938. 55 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Christine McIntyre.
        Thunder in the Desert. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Don Barclay.
        Code of the Rangers. 1938. 56 minutos. Blanco y Negro. Concord (Monogram). Tim McCoy, Judith Ford, Rex Lease.
        The Feud Maker. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.
        Knights of the Plains (Allende Rio Grande). 1938. 57 min. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Marion Weldon.
        Songs and Bullets. 1938. 58 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Alice Ardell.
        Gunsmoke Trail. 1938. 57 minutos. Blanco y Negro. Concord (Monogram). Jack Randall, Louise Stanley, Al St. John.
        Phantom Ranger. 1938. 54 minutos. Blanco y Negro. Concord (Mono gram). Tim McCoy, Suzanne Kaaren.
        Desert Patrol. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Rex Lease.
        Durango Valley Raiders. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Karl Hackett.
        Frontier Scout. 1938. 61 minutos. Blanco y Negro. Fine Arts (Grand Natio nal). George Houston, Al St. John, Beth Marion.
        Lightning Carson Rides Again. 1938. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Six-Gun Trail. 1938. 59 minutos. Blanco y Negro. Victory. Tim McCoy, Nora Lane, Ben Corbett.
        The Terror of Tiny Town. 1938. 62 minutos. Blanco y Negro. Principal (Co lumbia). Billy Curtis, Little Billy Rhodes, Nita Krebs, Yvonne Moray.
        Trigger Pals. 1939. 60 minutos. Blanco y Negro. Cinemart (Grand Natio nal). Art Jarrett, Lee Powell, Dorothy Faye, Al St. John.
        Six-Gun Rhythm. 1939. 55 minutos. Blanco y Negro. Arcadia (Grand National). Tex Fletcher, Joan Barclay, Ralph Peters.
        Code of the Cactus. 1939. 56 minutos. Blanco y Negro. Victory. Tim McCoy, Dorothy Short, Ben Corbett.
        Texas Wildcats. 1939. 57 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Outlaw’s Paradise. 1939. 62 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Straight Shooter. 1939. 54 minutos. Blanco y Negro. Victory. Tim McCoy, Julie Sheldon, Ben Corbett.
        Fighting Renegade. 1939. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joyce Bryant, Ben Corbett.
        Trigger Fingers. 1939. 60 minutos. Blanco y Negro. Victory. Tim McCoy, Jill Martin (Harley Wood), Ben Corbett.
        Fighting Mad. 1939. 60 minutos. Blanco y Negro. Monogram. James Newill, Sally Blane, Benny Rubin, Dave O’Brien.
        Flaming Lead. 1939. 57 minutos. Blanco y Negro. Colony. Ken Maynard, Eleanor Stewart, Dave O’Brien.
        The Sagebrush Family Trails West (Peter Stewart). 1940. 60 minutos. Blanco y Negro. PRC. Bobby Clark, Nina Guilbert, Earle Hodgins.
        Texas Renegades (Peter Stewart). 1940. 59 minutos. Blanco y Negro. PRC. Tim McCoy, Nora Lane, Harry Harvey.
        Death Rides the Range. 1940. 58 minutos. Blanco y Negro. Colony. Ken Maynard, Fay McKenzie, Raph Peters.
        Frontier Crusader (Peter Stewart). 1940. 62 minutos. Blanco y Negro. PRC. Tim McCoy, Dorothy Short, Lou Fulton.
        Billy the Kid Outlawed (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Louise Currie.
        Gun Code (Peter Stewart). 1940. 54 minutos. Blanco y Negro. PRC. Tim McCoy, Inna Gest, Lou Fulton.
        Marked Men (Sherman Scott). 1940. 66 minutos. Blanco y Negro. PRC. Warren Hull, Isabel Jewell.
        Arizona Gang Busters (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Lou Fulton.
        Billy the Kid in Texas (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Terry Walker, Al St. John.
        Riders of Black Mountain (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Ralph Peters, Rex Lease.
        Billy the Kid’s Gun Justice (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Bob Steele, Louise Currie, Al St. John.
        The Lone Rider Rides On. 1941. 61 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.
        Billy the Kid’s Range War (Peter Stewart). 1941. 57 minutos. Blanco y Negro. PRC. Bob Steele, Joan Barclay, Al St. John.
        The Lone Rider Crosses the Rio/Across the Border. 1941. 63 minutos. Blanco y Negro. PRC. George Houston, Roquell Verrin, Al St. John.
        Outlaws of the Rio Grande (Peter Stewart). 1941. 63 minutos. Blanco y Negro. PRC. Tim McCoy, Virginia Carpenter, Ralph Peters.
        Billy the Kid’s Fighting Pals (Sherman Scott). 1941. 62 minutos. Blanco y Negro. PRC. Bob Steele, Phyllis Adair, Al St. John.
        The Lone Rider in Ghost Town. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Alaine Brandes, Al St. John.
        Billy the Kid in Santa Fe (Sherman Scott). 1941. 66 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Rex Lease.
        The Texas Marshal (Paul Stewart). 1941. 58 minutos. Blanco y Negro. PRC. Tim McCoy, Kay Leslie, Art Davis, Dave O’Brien.
        The Lone Rider in Frontier Fury. 1941. 62 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.
        The Lone Rider Ambushed. 1941. 67 minutos. Blanco y Negro. PRC. George Houston, Maxine Leslie, Al St. John.
        Billy the Kid Wanted (Sherman Scott). 1941. 64 minutos. Blanco y Negro. PRC. Buster Crabbe, Choti Sherwood, Al St. John.
        The Lone Rider Fights Back. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Dorothy Short, Al St. John.
        Billy the Kid’s Round-Up (Sherman Scott). 1941. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Joan Barclay, Al St. John.
        Texas Manhunt (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.
        The Lone Rider and the Bandit. 1942. 54 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Vickie Lester.
        Raiders of the West (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Virginia Carroll, Lee Powell.
        Billy the Kid Trapped (Sherman Scott). 1942. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Anne Jeffreys.
        The Lone Rider in Cheyenne. 1942. 59 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Ella Neal.
        Rolling Down the Great Divide (Peter Stewart). 1942. 59 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Wanda McKay, Lee Powell.
        Billy the Kid’s Smoking Guns (Sherman Scott). 1942. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Joan Barclay.
        Texas Justice. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Wanda McKay.
        Tumbleweed Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Marjorie Manners, Lee Powell.
        Law and Order (Sherman Scott). 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Wanda McKay.
        Prairie Pals (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Esther Estrella, Lee Powell.
        Border Roundup. 1942. 57 minutos. Blanco y Negro. PRC. George Hous ton, Al St. John, Patricia Knox.
        Along the Sundown Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.
        Sheriff of Sage Valley (Sherman Scott). 1962. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.
        The Mysterious Rider. 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Caroline Burke.
        Outlaws of Boulder Pass. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Marjorie Manners.
        Overland Stagecoach. 1942. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Julie Duncan.
        The Kid Rides Again (Sherman Scott). 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Iris Meredith.
        Wild Horse Rustlers. 1943. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Lane Chandler, Linda Johnson.
        Fugitive of the Plains. 1943. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.
        Death Rides the Plains. 1943. 55 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Nica Doret.
        Western Cyclone. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.
        Wolves of the Range. 1943. 60 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Frances Gladwyn.
        Cattle Stampede. 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        The Renegade. 1943. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lois Ranson.
        Blazing Frontier. 1943. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.
        Raiders of Red Gap. 1943. 56 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Myrna Dell.
        The Devil Riders. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Frontier Outlaws. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Thundering Gunslingers. 1944. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Valley of Vengeance. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.
        The Drifter. 1944. 62 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Carol Parker.
        Fuzzy Settles Down. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Rustler’s Hideout. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Wild Horse Phantom. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Elaine Morley.
        Oath of Vengeance. 1944. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.
        His Brother’s Ghost. 1945. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John.
        Shadows of Death. 1945. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Donna Dax.
        Gangster’s Den. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Sydney Logan.
        Stagecoach Outlaws. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Border Badmen. 1945. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lorraine Miller.
        Fighting Bill Carson. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Kay Hugues.
        Prairie Rustlers. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.
        Ligthning Raiders. 1946. 61 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.
        Gentlemen with Guns. 1946. 52 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.
        Terrors on Horseback. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Ghost of Hidden Valley. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Jean Carlin.
        Prairie Badmen. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.
        Overland Riders. 1946. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Outlaws of the Plains. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Western Pacific Agent. 1950. 62 minutos. Blanco y Negro. Lippert. Kent Taylor, Sheila Ryan, Robert Lowery.
        Three Desperate Men. 1951. 69 minutos. Blanco y Negro. Lippert. Preston Foster, Virginia Grey, Jim Davis.
        Skipalong Rosenbloom. 1951. 72 minutos. Blanco y Negro. Eagle Lion Classics (UA). Max Rosenbloom, Jackie Coogan, Hillary Brooke.
        Outlaw Women (co-d.: Ron Ormond). 1952. 75 minutos. Cinecolor. Howco (Lippert). Marie Windsor, Richard Rober.
        Last of the Desperados. 1955. 71 minutos. Blanco y Negro. Associated. James Craig, Margia Dean, Jim Davis.
        The Wild Dakotas. 1956. 71 minutos. Blanco y Negro. Associated. Bill Williams, Coleen Gray, Jim Davis.
        The Three Outlaws. 1956. 74 minutos. Blanco y Negro. SuperScope. Asso ciated. Neville Brand, Alan Hale, Jr., Lillian Molieri, Jeanne Carmen.
        Frontier Gambler. 1956. 70 minutos. Blanco y Negro. Associated. John Bromfield, Coleen Gray, Jim Davis, Margia Dean.
        Wolf Dog. 1958. 69 minutos. Blanco y Negro. RegalScope. Regal (Fox). Jim Davis, Allison Hayes.
        Flaming Frontier. 1958. 70 minutos. Blanco y Negro. RegalScope. Regal (Fox). Bruce Bennett, Paisley Maxwell, Jim Davis.

    English-Spanish dictionary of western films > Newfield, Sam

  • 8 Bretherton, Howard

    1890-1969
       Uno mas de la larga lista de realizadores de peliculas baratas para consumo inmediato que empezo en el cine casi al mismo tiempo que lo hacia Hollywood, y que despues de ser montador de al menos cuatro peliculas entre 1922 y 1924, salto a la direccion en 1926 con Warner Bros. Al llegar el sonoro lo encontramos dedicado casi por completo al western de serie, en el que trabaja para casi todos, William Boyd (sobre todo), Charles Starrett, Buck Jones, Tim Holt, Don Barry, Bob Steele, Bill Elliott, Johnny Mack Brown, en peliculas con frecuencia intercambiables, de no ser por la personalidad de su protagonista. Segun cual fuera el actor protagonista, asi es la productora: Paramount, Columbia, Monogram, RKO o Republic.
        Hop-a-Long Cassidy (La cancion del vaquero). 1935. 62 min. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Paula Stone.
        The Eagle’s Brood. 1935. 59 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Dorothy Revier, Joan Woodbury.
        Bar 20 Rides Again. 1935. 65 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Jean Rouveral, George Hayes.
        Call of the Prairie (El ultimo testigo). 1936. 56 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Muriel Evans.
        Three on the Trail. 1936. 67 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Muriel Evans, George Hayes
        Heart of the West. 1936. 60 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Lynn Gabriel, George Hayes.
        King of the Royal Mounted. 1936. 61 minutos. Blanco y Negro. Fox. Robert Kent, Rosalind Keith, Jack Luden.
        Wild Brian Kent. 1936. 60 minutos. Blanco y Negro. Principal/RKO. Ralph Bellamy, Mae Clarke.
        Secret Valley. 1937. 60 minutos. Blanco y Negro. Fox. Richard Arlen, Virginia Grey.
        It Happened Out West. 1937. 56 minutos. Blanco y Negro. Fox. Paul Kelly, Judith Allen.
        Western Gold. 1937. 57 minutos. Blanco y Negro. Fox. Smith Ballew, Heather Angel.
        The Showdown. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Russell Hayden, Britt Wood, Jane Clayton.
        In Old Colorado. 1941. 66 minutos. Blanco y Negro. Paramount. William Boyd, Russell Hayden, Margaret Hayes, Andy Clyde.
        Twilight on the Trail. 1941. 58 minutos. Blanco y Negro. Paramount. William Boyd, Andy Clyde, Wanda McKay, Brad King.
        Outlaws of the Desert. 1941. 66 minutos. Blanco y Negro. Paramount. William Boyd, Jean Phillips, Andy Clyde, Brad King.
        Riders of the Badlands. 1941. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Kay Hugues.
        West of Tombstone. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Marcella Martin.
        Below the Border. 1942. 57 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Linda Brent, Raymond Hatton.
        Ghost Town Law. 1942. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Virginia Carpenter, Raymond Hatton.
        Down Texas Way (La ley del norte). 1942. 57 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.
        Riders of the West. 1942. 58 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.
        West of the Law. 1942. 60 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Evelyn Cooke, Raymond Hatton.
        Pirates of the Prairie (El terror de Oklahoma). 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Cliff Edwards, Nell O’Day.
        Dawn of the Great Divide. 1942. 63 minutos. Blanco y Negro. Monogram. Buck Jones, Raymond Hatton, Mona Barrie.
        Carson City Cyclone. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Emmett Lynn.
        Santa Fe Scouts. 1943. 57 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Lois Collier, Jimmie Dodd.
        Riders of the Rio Grande. 1943. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Lorraine Miller, Jimmie Dodd.
        Fugitive from Sonora. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Wally Vernon.
        Beyond the Last Frontier. 1943. 57 minutos. Blanco y Negro. Republic. Eddie Dew, Smiley Burnette, Lorraine Miller.
        Bordertown Gun Fighters. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        The Man from the Rio Grande. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Nancy Gay, Wally Vernon.
        Wagon Tracks West. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Hidden Valley Outlaws. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Outlaws of Santa Fe. 1944. 56 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.
        The San Antonio Kid. 1944. 59 minutos. Blanco y Negro. Republic. Bill Elliott, Linda Stirling, Bob Blake.
        Law of the Valley. 1944. 52 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.
        The Navajo Trail. 1945. 60 minutos. Blanco y Negro Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.
        The Topeka Terror. 1945. 55 minutos. Blanco y Negro. Republic. Allan Lane, Linda Stirling, Roy Barcroft.
        Gun Smoke. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.
        Renegades of the Rio Grande. 1945. 57 minutos. Blanco y Negro. Universal. Rod Cameron, Jennifer Holt, Fuzzy Knight.
        Ridin’ Down the Trail. 1947. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Beverly Jons.
        Where the North Begins. 1947. 42 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Jennifer Holt.
        Trail of the Mounties. 1947. 42 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Jennifer Holt.
        Triggerman. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Carroll.
        Night Raiders. 1952. 51 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Lois Hall.

    English-Spanish dictionary of western films > Bretherton, Howard

  • 9 Selander, Lesley

    1900-1979
       Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.
        Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.
        The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.
        Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.
        Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.
        Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.
        Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.
        Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.
        The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.
        Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.
        Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.
        Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.
        Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.
        Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.
        The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.
        The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.
        Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.
        Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.
        Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.
        The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.
        Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.
        Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.
        Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.
        The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.
        Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.
        Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.
        Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.
        Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.
        Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.
        The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.
        Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.
        Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.
        Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,
        Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.
        Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.
        Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.
        Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.
        Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.
        Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.
        Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.
        Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.
        Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.
        Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.
        Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.
        Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.
        Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.
        Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.
        Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.
        Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.
        Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.
        Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.
        Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.
        Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.
        Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.
        Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.
        Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.
        Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.
        Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.
        Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.
        Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.
        Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.
        Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.
        Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.
        The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.
        Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.
        Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.
        Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.
        Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.
        Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.
        The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.
        Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.
        Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin
        Saddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.
        Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.
        Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.
        Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.
        Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.
        Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.
        Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.
        Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.
        Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.
        War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.
        Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.
        The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.
        Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.
        Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.
        Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.
        The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.
        Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.
        Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.
        Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.
        Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.
        The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.
        Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.
        War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.
        Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.
        Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.
        The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana Lorys
        Fort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.
        Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.

    English-Spanish dictionary of western films > Selander, Lesley

  • 10 avance importantísimo

    (n.) = giant leap, great leap forward
    Ex. The People's Republic of China has taken a giant leap toward modernisation of its medical ibraries and information centres.
    Ex. In terms of intellectual evolution, it is a radical step up and great leap forward for mankind.
    * * *
    (n.) = giant leap, great leap forward

    Ex: The People's Republic of China has taken a giant leap toward modernisation of its medical ibraries and information centres.

    Ex: In terms of intellectual evolution, it is a radical step up and great leap forward for mankind.

    Spanish-English dictionary > avance importantísimo

  • 11 gran salto adelante

    (n.) = giant leap, great leap forward
    Ex. The People's Republic of China has taken a giant leap toward modernisation of its medical ibraries and information centres.
    Ex. In terms of intellectual evolution, it is a radical step up and great leap forward for mankind.
    * * *
    (n.) = giant leap, great leap forward

    Ex: The People's Republic of China has taken a giant leap toward modernisation of its medical ibraries and information centres.

    Ex: In terms of intellectual evolution, it is a radical step up and great leap forward for mankind.

    Spanish-English dictionary > gran salto adelante

  • 12 Wright, Mack V.

    1894-1965
       Entre 1917 y 1955 trabajo en infinidad de filmes de diversos generos, especialmente westerns, con rapidez y economia. Fue de todo: especialista, actor, productor, guionista, ayudante de direccion y director. Se recuerda su trabajo de realizacion, a comienzos de los 30, en cuatro peliculas Warner Bros protagonizadas por un joven John Wayne. Hizo, ademas, otras cuatro peliculas con el cowboy-cantante Gene Autry, otras tantas de la serie “The Three Meskiteers” con el trio Robert Livingston, Ray Corrigan y Max Terhune, y dos seriales, uno en colaboracion con Ray Taylor, y el otro con Sam Nelson. Fueron, en total, 26 films, rodados entre 1920 y 1947. Mas tarde, volvio a ser ayudante de direccion y supervisor de produccion de peliculas de serie B, particularmente con el realizador W. Lee Wilder.
        Haunted Gold. 1932. 58 minutos. Blanco y Negro. WB. John Wayne, Sheila Terry, Harry Woods.
        Somewhere in Sonora. 1933. 59 minutos. Blanco y Negro. WB. John Wayne, Shirley Palmer, Henry B. Walthall.
        The Man from Monterey. 1933. 57 minutos. Blanco y Negro. WB. John Wayne, Ruth Hall, Luis Alberni.
        Comin’ Round the Mountain. 1936. 60 minutos. Blanco y Negro. Republic. Gene Autry, Ann Rutherford, Smiley Burnette.
        The Singing Cowboy. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Lois Wilde, Smiley Burnette.
        Winds of the Wasterland. 1936. 54 minutos. Blanco y Negro/Color. Republic. John Wayne, Phyllis Fraser, Lew Kelly.
        The Vigilantes Are Coming (co-d.: Ray Taylor). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.
        The Big Show. 1936. 70 minutos. Blanco y Negro. Republic. Gene Autry, Kay Hugues, Smiley Burnette.
        Roarin’ Lead (co-d.: Sam Newfield). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.
        Riders of the Whistling Skull. 1937. 58 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Mary Russell.
        Hit the Saddle. 1937. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Rita Hayworth.
        Rootin’ Tootin’ Rhythm. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Armida, Smiley Burnette.
        Range Defenders. 1937. 56 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Eleanor Stewart.
        The Great Adventures of Wild Bill Hickcok (co-d.: Sam Nelson). 1938. 15 capitulos. Blanco y Negro. Columbia. Bill Elliott, Carole Wayne, Kermit Maynard.

    English-Spanish dictionary of western films > Wright, Mack V.

  • 13 pena

    f.
    1 shame, pity.
    da pena no poder hacer nada it's a shame o pity we can't do anything
    el pobre me da pena I feel sorry for the poor chap
    ¡qué pena! what a shame o pity!
    2 sadness, sorrow (tristeza).
    sentía una gran pena I felt terribly sad
    3 problem, trouble (desgracia).
    4 struggle.
    a duras penas with great difficulty
    5 punishment (castigo).
    le cayó o le impusieron una pena de treinta años he was sentenced to o given thirty years
    so o bajo pena de under penalty of
    pena capital o de muerte death penalty
    6 embarrassment. (Caribbean Spanish (Cuba, Puerto Rico, Dominican Republic, Venezuela), Central American Spanish, Colombian Spanish, Mexican Spanish)
    me da pena I'm embarrassed about it
    7 grief, regret, sorrow, heartache.
    8 penna, contour feather.
    pres.indicat.
    3rd person singular (él/ella/ello) present indicative of spanish verb: penar.
    imperat.
    2nd person singular (tú) Imperative of Spanish verb: penar.
    * * *
    1 (castigo) sentence, punishment
    2 (tristeza) grief, sorrow
    3 (lástima) pity
    ¡qué pena que no podáis venir! it's a shame you can't make it!
    4 (dificultad) hardship, trouble
    \
    a duras penas with great difficulty
    de pena familiar awful, terrible, pathetic
    hecho,-a una pena familiar in a bad way
    merecer la pena / valer la pena to be worth while, be worth it
    sin pena ni gloria undistinguished
    pena capital capital punishment
    pena de muerte death penalty
    * * *
    noun f.
    1) pity
    3) penalty, punishment
    4) difficulty, trouble
    * * *
    SF
    1) (=tristeza) sorrow

    tenía mucha pena después de la muerte de su hijoshe grieved a lot o was extremely upset after her son's death

    alma en pena — lost soul

    dar pena, da pena verlos sufrir así — it's sad to see them suffer like that

    me daba pena dejar EspañaI was sad o sorry to leave Spain

    morir de (la) pena — to die of a broken heart

    sin pena ni gloria —

    2) (=lástima) shame, pity

    ¿no podéis venir? ¡qué pena! — you can't come? what a shame o a pity!

    ¡es una pena que no tengamos más tiempo! — it's a shame o a pity that we haven't got more time!, it's too bad we haven't got more time! (EEUU)

    de pena, la economía va de pena — the economy is in a terrible state

    estar hecho una pena — to be in a sorry state

    3) pl penas (=problemas)
    4) (=esfuerzo)

    ahorrarse la pena — to save o.s. the trouble, save o.s. the bother *

    merecer o valer la pena — to be worth

    ¿merece la pena visitar la catedral? — is the cathedral worth a visit?

    5) (Jur) sentence

    bajo o so pena de — [+ castigo, multa, prisión] on o under penalty of

    bajo pena de muerte — on pain of death, on o under penalty of death

    tiene prohibido hacerlo, so pena de ser expulsado — he is forbidden to do it, on o under penalty of expulsion

    pena máxima — maximum sentence; (Ftbl) penalty

    6) Méx, And (=vergüenza) embarrassment

    ¡qué pena! — how embarrassing!

    sentir o tener pena — to be o feel embarrassed, be o feel ill at ease

    7) And (=fantasma) ghost
    * * *
    1)
    a) ( tristeza)

    tenía/sentía mucha pena — he was o felt very sad

    me da pena verloit upsets me o it makes me sad to see it

    b) ( lástima) pity, shame

    qué pena!what a pity o shame!

    es una pena que... — it's a pity (that)...

    de pena — (Esp) terrible

    estar hecho una penato be in a sorry o terrible state

    vale or merece la pena — it's worth it

    vale la pena leerlo/visitarlo — it's worth reading/a visit

    no vale la pena intentar convencerlothere's no point o it's not worth trying to persuade him

    2) penas femenino plural
    a) ( problemas) sorrows (pl)

    me contó sus penashe told me his troubles o (liter or hum) woes

    a duras penas — ( apenas) hardly; ( con dificultad) with difficulty

    b) ( penalidades) hardship
    3) (Der) sentence

    bajo or so pena de — (frml) on pain of (frml)

    4) (AmL exc CS) ( vergüenza) embarrassment

    quitado de la pena — (Méx) blithely, gaily

    5) (Per) ( fantasma) ghost
    * * *
    = woe, distress, grief, regret, criminalisation [criminalization, -USA], grieving, woefulness, heartache, misery.
    Ex. 'The word's out: all departments have to cut their staffs by 10%' -- Her voice was weak and laden with woe.
    Ex. The reason for his distress seemed to have been twofold: he derived comfort from reading the roll and he would have found it very embarassing to admit at the end of his journey that he had lost it.
    Ex. This paper discusses the ways in which books may be used to help bereaved children to understand death and other aspects of grief.
    Ex. Spalding's regret is quite understandable, for few of those seeking to identify particular editions in the catalog will fail to be confused by the results of this decision.
    Ex. In our opinion, it is more relevant to focus on the Cuban government's criminalization of the unauthorized ownership of computers and its effective banning of the World Wide Web.
    Ex. The article 'Words of comfort: resources for the living and dying' reviews books on death and grieving for purposes of collection development in the area.
    Ex. In presenting this story, Amenabar has managed to avoid both saccharine sentimentality and easy woefulness.
    Ex. Lovelorn staff at a Japanese company can take paid time off after an upsetting break-up with a partner, with more ' heartache leave' offered as they get older.
    Ex. Perhaps Jane Austen was aware of this, for having stated the fact of the elopement briefly, she says airily: 'Let other pens dwell on guilt and misery, I quit such odious subjects as soon as I can'.
    ----
    * a duras pena = with great difficulty.
    * alegrías y penas = pleasures and pains.
    * alma en pena = banshee.
    * arreglárselas a duras penas = muddle through.
    * avanzar a duras penas = flounder, grind on.
    * causar pena = cause + hurt.
    * chillar como alma en pena = scream like + a banshee, wail like + a banshee.
    * condenar a la pena de muerte = sentence + Nombre + to death, condemn + Nombre + to death.
    * contarle las penas a Alguien = sob + Posesivo + heart out to.
    * de puta pena = appalling, deplorable.
    * en pena = in grief.
    * ganarse la vida a duras penas = eke out + a living, scratch (out) + a living, scrape + a living, eke out + an existence.
    * gemir como alma en pena = wail like + a banshee.
    * gritar como alma en pena = scream like + a banshee, wail like + a banshee.
    * merecer la pena = be worth + the effort, be worthwhile, be worth + Posesivo + time, be worth it.
    * merecer la pena considerar más detalladamente = repay + full consideration.
    * merecer la pena el esfuerzo = repay + effort.
    * merecer la pena estudiar Algo = repay + study.
    * merecer la pena + Infinitivo = be worth + Gerundio, be worthy of + Gerundio, it + be + worth + Gerundio.
    * merecer la pena intentarlo = be worth a try.
    * merecerle la pena a Uno = be worth + Posesivo + while.
    * no merecer la pena = be no good.
    * no valer la pena = be no good.
    * parecer + merecer la pena + Infinitivo = seem + worth + Gerundio.
    * pena capital = capital punishment.
    * pena de muerte = death penalty, death row.
    * pena de prisión = custodial sentence, jail sentence.
    * que merece la pena = worthwhile.
    * que vale la pena = worthwhile.
    * salir adelante a duras penas = eke out + a living, scratch (out) + a living, scrape + a living, eke out + an existence.
    * sentenciar a la pena de muerte = sentence + Nombre + to death, condemn + Nombre + to death.
    * sentir pena por = feel + sorry for.
    * valer la pena = be not for nothing, be worth it, be worthwhile, be worth + the effort, be worth + Posesivo + time.
    * valer la pena leer Algo = repay + reading.
    * valerle la pena a Uno = be worth + Posesivo + while.
    * * *
    1)
    a) ( tristeza)

    tenía/sentía mucha pena — he was o felt very sad

    me da pena verloit upsets me o it makes me sad to see it

    b) ( lástima) pity, shame

    qué pena!what a pity o shame!

    es una pena que... — it's a pity (that)...

    de pena — (Esp) terrible

    estar hecho una penato be in a sorry o terrible state

    vale or merece la pena — it's worth it

    vale la pena leerlo/visitarlo — it's worth reading/a visit

    no vale la pena intentar convencerlothere's no point o it's not worth trying to persuade him

    2) penas femenino plural
    a) ( problemas) sorrows (pl)

    me contó sus penashe told me his troubles o (liter or hum) woes

    a duras penas — ( apenas) hardly; ( con dificultad) with difficulty

    b) ( penalidades) hardship
    3) (Der) sentence

    bajo or so pena de — (frml) on pain of (frml)

    4) (AmL exc CS) ( vergüenza) embarrassment

    quitado de la pena — (Méx) blithely, gaily

    5) (Per) ( fantasma) ghost
    * * *
    = woe, distress, grief, regret, criminalisation [criminalization, -USA], grieving, woefulness, heartache, misery.

    Ex: 'The word's out: all departments have to cut their staffs by 10%' -- Her voice was weak and laden with woe.

    Ex: The reason for his distress seemed to have been twofold: he derived comfort from reading the roll and he would have found it very embarassing to admit at the end of his journey that he had lost it.
    Ex: This paper discusses the ways in which books may be used to help bereaved children to understand death and other aspects of grief.
    Ex: Spalding's regret is quite understandable, for few of those seeking to identify particular editions in the catalog will fail to be confused by the results of this decision.
    Ex: In our opinion, it is more relevant to focus on the Cuban government's criminalization of the unauthorized ownership of computers and its effective banning of the World Wide Web.
    Ex: The article 'Words of comfort: resources for the living and dying' reviews books on death and grieving for purposes of collection development in the area.
    Ex: In presenting this story, Amenabar has managed to avoid both saccharine sentimentality and easy woefulness.
    Ex: Lovelorn staff at a Japanese company can take paid time off after an upsetting break-up with a partner, with more ' heartache leave' offered as they get older.
    Ex: Perhaps Jane Austen was aware of this, for having stated the fact of the elopement briefly, she says airily: 'Let other pens dwell on guilt and misery, I quit such odious subjects as soon as I can'.
    * a duras pena = with great difficulty.
    * alegrías y penas = pleasures and pains.
    * alma en pena = banshee.
    * arreglárselas a duras penas = muddle through.
    * avanzar a duras penas = flounder, grind on.
    * causar pena = cause + hurt.
    * chillar como alma en pena = scream like + a banshee, wail like + a banshee.
    * condenar a la pena de muerte = sentence + Nombre + to death, condemn + Nombre + to death.
    * contarle las penas a Alguien = sob + Posesivo + heart out to.
    * de puta pena = appalling, deplorable.
    * en pena = in grief.
    * ganarse la vida a duras penas = eke out + a living, scratch (out) + a living, scrape + a living, eke out + an existence.
    * gemir como alma en pena = wail like + a banshee.
    * gritar como alma en pena = scream like + a banshee, wail like + a banshee.
    * merecer la pena = be worth + the effort, be worthwhile, be worth + Posesivo + time, be worth it.
    * merecer la pena considerar más detalladamente = repay + full consideration.
    * merecer la pena el esfuerzo = repay + effort.
    * merecer la pena estudiar Algo = repay + study.
    * merecer la pena + Infinitivo = be worth + Gerundio, be worthy of + Gerundio, it + be + worth + Gerundio.
    * merecer la pena intentarlo = be worth a try.
    * merecerle la pena a Uno = be worth + Posesivo + while.
    * no merecer la pena = be no good.
    * no valer la pena = be no good.
    * parecer + merecer la pena + Infinitivo = seem + worth + Gerundio.
    * pena capital = capital punishment.
    * pena de muerte = death penalty, death row.
    * pena de prisión = custodial sentence, jail sentence.
    * que merece la pena = worthwhile.
    * que vale la pena = worthwhile.
    * salir adelante a duras penas = eke out + a living, scratch (out) + a living, scrape + a living, eke out + an existence.
    * sentenciar a la pena de muerte = sentence + Nombre + to death, condemn + Nombre + to death.
    * sentir pena por = feel + sorry for.
    * valer la pena = be not for nothing, be worth it, be worthwhile, be worth + the effort, be worth + Posesivo + time.
    * valer la pena leer Algo = repay + reading.
    * valerle la pena a Uno = be worth + Posesivo + while.

    * * *
    A
    1
    (tristeza): tenía mucha pena he was o felt very sad
    me da pena ver a esos niños pidiendo limosna it upsets me o it makes me sad to see those children begging
    a mí la que me da pena es su pobre mujer it's his poor wife I feel sorry for
    está que da pena she's in a terrible state
    no te imaginas la pena que me da tener que decírtelo you can't imagine how much it hurts me to have to tell you
    lloraba con tanta pena he was crying so bitterly
    sentí mucha pena cuando me enteré de su muerte I was very sad to hear of his death
    2 (lástima) pity, shame
    ¡qué pena que no te puedas quedar! what a pity o a shame you can't stay!
    es una pena que no hayas seguido sus consejos it's a pity you didn't take her advice
    de pena ( Esp); terrible
    ese vestido le queda de pena that dress looks terrible o awful o dreadful on her
    en las fotos siempre salgo de pena I always look awful o terrible in photographs
    ¿cómo te fue en el examen? — de pena how was your exam? — awful o terrible, how did you get on in your exam? — really badly
    estar hecho una pena to be in a sorry o terrible state, be in a bad way
    sin pena ni gloria almost unnoticed
    una película que pasó por las carteleras sin pena ni gloria a movie which came and went almost unnoticed
    pasó por la universidad sin pena ni gloria he had an undistinguished university career
    vale or merece la pena it's worth it
    merece la pena leerlo it's worth reading
    no vale la pena intentar convencerlo there's no point o it's not worth trying to persuade him
    un museo que bien vale la pena visitar a museum which is well worth a visit o ( frml) which is worthy of a visit
    bien merece la pena correr el riesgo it's well worth the risk
    1
    (dolores, problemas): bebe para ahogar las penas she drinks to drown her sorrows
    vino a contarme sus penas he came to tell me his problems o troubles o ( literor hum) woes
    sus hijos no le han dado más que penas her children have caused her nothing but sorrow o heartache
    a duras penas (apenas) hardly; (con dificultad) with difficulty
    te oigo a duras penas I can scarcely o hardly o barely hear you
    subió a duras penas las escaleras she had great difficulty climbing the stairs
    llegaron a la meta, pero a duras penas they reached the finishing line, but only just o only with difficulty
    2 (penurias, dificultades) hardship
    pasamos muchas penas para pagarlo we suffered great hardship to pay for it
    pasaron grandes penas durante la expedición they underwent great difficulties o hardship during the expedition
    C ( Der) sentence
    el juez le impuso la pena máxima the judge gave him the maximum sentence
    bajo or so pena de ( frml); on pain of ( frml), under penalty of ( frml)
    so pena de caer en repeticiones at the risk of repeating myself
    Compuestos:
    afflictive punishment
    death penalty
    los que se oponen a la pena capital those opposed to the death penalty o to capital punishment
    corporal punishment
    death penalty
    fine
    custodial sentence
    D ( AmL exc CS) (vergüenza) embarrassment
    le da una pena horrible hablar en público she's terribly shy o embarrassed about speaking in public
    me da pena molestarlos a esta hora de la noche I feel awful o terrible o embarrassed disturbing you at this time of night
    me puse roja de la pena I went red with embarrassment
    quitado de la pena ( Méx); blithely, gaily
    E ( Per) (fantasma) ghost
    * * *

     

    Del verbo penar: ( conjugate penar)

    pena es:

    3ª persona singular (él/ella/usted) presente indicativo

    2ª persona singular (tú) imperativo

    Multiple Entries:
    pena    
    penar    
    peña
    pena sustantivo femenino
    1
    a) ( tristeza):

    tenía/sentía mucha peña he was o felt very sad;

    me da peña verlo it upsets me o it makes me sad to see it;
    a mí la que me da peña es su mujer it's his wife I feel sorry for;
    está que da peña she's in a terrible state

    ¡qué peña! what a pity o shame!;

    es una peña que … it's a pity (that) …;
    vale or merece la peña it's worth it;
    vale la peña leerlo/visitarlo it's worth reading/a visit
    2
    penas sustantivo femenino plural

    a) ( problemas) sorrows (pl);


    me contó sus peñas he told me his troubles;
    a duras peñas ( apenas) hardly;

    ( con dificultad) with difficulty

    3 (Der) sentence;

    peña capital or de muerte death penalty
    4 (AmL exc CS) ( vergüenza) embarrassment;
    ¡qué peña! how embarrasing!;

    me da mucha peña pedírselo I'm too embarrassed to ask him
    peña sustantivo femenino
    1 ( roca) crag, rock
    2


    b) (AmL) tb


    pena sustantivo femenino
    1 (castigo) punishment, penalty: fue condenado a pena de muerte, he was sentenced to death
    2 (tristeza) grief, sorrow, sadness: es una pena que no vengas, it's a pity you're not coming
    3 (dificultad) hardships pl, trouble
    ♦ Locuciones: estar hecho una pena, to be in a terrible state
    merecer o valer la pena, to be worth: no merece la pena que lo hagas, it's not worth doing it
    a duras penas, hardly
    sin pena ni gloria, almost unnoticed
    peña sustantivo femenino
    1 rock, crag
    2 (de socios, de amigos) club
    3 fam (gente) people
    (pandilla) gang
    ' peña' also found in these entries:
    Spanish:
    ay
    - cáliz
    - capital
    - cicatrizar
    - compensar
    - condonar
    - conmutar
    - dar
    - desgarrador
    - desgarradora
    - garrote
    - horda
    - lamentable
    - lastimosa
    - lastimoso
    - merecer
    - mortificar
    - mortificarse
    - pena
    - pesar
    - rebajar
    - sentimiento
    - so
    - valer
    - aliviar
    - castigar
    - causar
    - consumir
    - dolor
    - enorme
    - gemido
    - grande
    - herida
    - hondo
    - imponer
    - indultar
    - indulto
    - inmenso
    - lástima
    - mal
    - mitigar
    - presidio
    - prisión
    - severidad
    - suspirar
    English:
    bother
    - capital punishment
    - carry
    - dear
    - death penalty
    - grief
    - grieve
    - hassle
    - heart
    - jail
    - mope about
    - mope around
    - numb
    - opposed
    - pay
    - pay off
    - penalty
    - prostrate
    - remission
    - retribution
    - sentence
    - shame
    - sorrow
    - term
    - trouble
    - try
    - wail
    - worth
    - worthwhile
    - against
    - ashamed
    - broken
    - capital
    - community
    - death
    - effort
    - embarrassed
    - embarrassing
    - embarrassment
    - hurt
    - mortified
    - painfully
    - pity
    - sort
    - suspended
    - well
    * * *
    pena nf
    1. [lástima] shame, pity;
    es una pena (que no puedas venir) it's a shame o pity (you can't come);
    da pena no poder hacer nada it's a shame o pity we can't do anything;
    el pobre me da pena I feel sorry for the poor guy;
    me da pena ver lo pobres que son it's awful to see how poor they are;
    me da pena tener que irme ya I hate to have to leave already;
    ¡qué pena! what a shame o pity!;
    ¡qué pena de hijo tengo! what a useless son I've got!
    2. [tristeza] sadness, sorrow;
    sentía una gran pena I felt terribly sad
    3. [desgracia] problem, trouble;
    bebe para olvidar o [m5] ahogar las penas he drinks to drown his sorrows;
    me contó sus penas she told me her troubles o about her problems
    4. [dificultad] struggle;
    pasaron grandes penas durante la guerra they suffered great hardship during the war;
    subimos el piano a duras penas we got the piano up the stairs with great difficulty;
    con mi sueldo mantengo a duras penas a mi familia my salary is barely enough for me to support my family;
    consiguieron llegar a duras penas they only just managed to get there
    5. [castigo] punishment;
    le cayó o [m5] le impusieron una pena de treinta años he was sentenced to o given thirty years;
    cumplió pena en la prisión de Alcatraz he served his sentence in Alcatraz;
    Formal
    so o [m5] bajo pena de [bajo castigo de] under penalty of;
    [a menos que] unless pena capital death penalty;
    pena de cárcel prison sentence;
    pena máxima [jurídica] maximum sentence;
    [en fútbol] penalty;
    pena de muerte death penalty;
    pena de reclusión prison sentence
    6. CAm, Carib, Col, Méx [vergüenza] embarrassment;
    me da pena I'm embarrassed about it;
    me da pena molestar I'm terribly sorry to bother you;
    tengo pena de hablar con ella I'm too embarrassed to talk to her
    7. Comp
    Esp Fam
    de pena [muy mal] [m5] lo pasamos de pena we had an awful time;
    dibuja/cocina de pena he can't draw/cook to save his life, he's useless at drawing/cooking;
    ese peinado le queda de pena that haircut looks terrible on her;
    Fam
    hecho una pena in a real state;
    (no) valer o [m5] merecer la pena (not) to be worthwhile o worth it;
    una película que merece la pena a movie that's worth seeing;
    vale la pena intentarlo it's worth a try;
    no merece la pena que te preocupes tanto there's no point you getting so worried;
    sin pena ni gloria without distinction;
    un jugador que pasó por el equipo sin pena ni gloria a player who had an undistinguished career in the team;
    el año acabó sin pena ni gloria it was a wholly unremarkable year
    * * *
    f
    1 ( tristeza) sadness, sorrow;
    da pena it’s sad
    2 ( congoja) grief, distress
    3 ( lástima) pity;
    es una pena it’s a shame o pity;
    ¡qué pena! what a shame o pity!
    4 L.Am. ( vergüenza) embarrassment;
    me da pena I’m embarrassed
    5 JUR sentence
    6
    :
    no merece la pena it’s not worth it;
    a duras penas with great difficulty;
    so pena de on pain of;
    sin pena ni gloria almost unnoticed
    * * *
    pena nf
    1) castigo: punishment, penalty
    pena de muerte: death penalty
    2) aflicción: sorrow, grief
    morir de pena: to die of a broken heart
    ¡que pena!: what a shame!, how sad!
    3) dolor: pain, suffering
    4) dificultad: difficulty, trouble
    a duras penas: with great difficulty
    5) vergüenza: shame, embarrassment
    6)
    valer la pena : to be worthwhile
    * * *
    pena n
    1. (tristeza) grief / sorrow / sadness
    2. (lástima) shame / pity
    ¡qué pena! what a pity!
    3. (condena) sentence
    4. (problema) trouble / problem
    merecer la pena / valer la pena to be worth it

    Spanish-English dictionary > pena

  • 14 Generalitat

    * * *
    SF
    GENERALITAT The Generalitat is the autonomous government of Catalonia. The name originally applied to the finance committee of the Catalan parliament, or Corts, in the early 13th century, but in 1932 was given to the partially devolved government granted to Catalonia under the Second Republic (1931-36). When its leader, Luis Companys, went on to proclaim the "Catalan State of the Spanish Federal Republic" in 1934, Madrid sent in the troops, and imprisoned members of the breakaway Generalitat. Catalan autonomy was restored under the Popular Front in 1936, but was abolished by Franco after the Civil War. Since his death the Generalitat has risen again under the 1978 Constitution and Catalonia now enjoys a considerable degree of autonomy from Madrid.
    See:
    ver nota culturelle LA CONSTITUCIÓN ESPAÑOLA in constitución
    * * *
    [dʒenerali'tat]

    la Generalitatthe autonomous government of Cataluña

    •• Cultural note:
    The name of the autonomous governments of Catalonia and Valencia. A great deal of power has now been transferred to them from central government. The medieval term generalitat was revived in 1932, when Catalonia voted for its own devolved government. After the Civil War, it was abolished by Franco but was restored in 1978, with the establishment of comunidades autónomas. The Valencian Generalitat is keen to preserve the traditions of the region from Catalan influence
    * * *
    [dʒenerali'tat]

    la Generalitatthe autonomous government of Cataluña

    •• Cultural note:
    The name of the autonomous governments of Catalonia and Valencia. A great deal of power has now been transferred to them from central government. The medieval term generalitat was revived in 1932, when Catalonia voted for its own devolved government. After the Civil War, it was abolished by Franco but was restored in 1978, with the establishment of comunidades autónomas. The Valencian Generalitat is keen to preserve the traditions of the region from Catalan influence
    * * *
    /dʒeneraliˈtat/
    Generalitat (↑ Generalitat a1)
    The name of the autonomous governments of Catalonia and Valencia. A great deal of power has now been transferred to them from central government.
    The medieval term generalitat was revived in 1932, when Catalonia voted for its own devolved government. After the Civil War, it was abolished by Franco but was restored in 1978, with the establishment of comunidades autónomas comunidad autónoma (↑ comunidad a1). The Valencian Generalitat is keen to preserve the traditions of the region from Catalan influence.
    * * *

    Generalitat f Pol Catalan/Valencian autonomous government Catalan/Valencian Parliament
    * * *
    Generalitat [jenerali'tat] nf
    la Generalitat = the autonomous government of the regions of Catalonia or Valencia or the Balearic Islands

    Spanish-English dictionary > Generalitat

  • 15 Catholic church

       The Catholic Church and the Catholic religion together represent the oldest and most enduring of all Portuguese institutions. Because its origins as an institution go back at least to the middle of the third century, if not earlier, the Christian and later the Catholic Church is much older than any other Portuguese institution or major cultural influence, including the monarchy (lasting 770 years) or Islam (540 years). Indeed, it is older than Portugal (869 years) itself. The Church, despite its changing doctrine and form, dates to the period when Roman Lusitania was Christianized.
       In its earlier period, the Church played an important role in the creation of an independent Portuguese monarchy, as well as in the colonization and settlement of various regions of the shifting Christian-Muslim frontier as it moved south. Until the rise of absolutist monarchy and central government, the Church dominated all public and private life and provided the only education available, along with the only hospitals and charity institutions. During the Middle Ages and the early stage of the overseas empire, the Church accumulated a great deal of wealth. One historian suggests that, by 1700, one-third of the land in Portugal was owned by the Church. Besides land, Catholic institutions possessed a large number of chapels, churches and cathedrals, capital, and other property.
       Extensive periods of Portuguese history witnessed either conflict or cooperation between the Church as the monarchy increasingly sought to gain direct control of the realm. The monarchy challenged the great power and wealth of the Church, especially after the acquisition of the first overseas empire (1415-1580). When King João III requested the pope to allow Portugal to establish the Inquisition (Holy Office) in the country and the request was finally granted in 1531, royal power, more than religion was the chief concern. The Inquisition acted as a judicial arm of the Catholic Church in order to root out heresies, primarily Judaism and Islam, and later Protestantism. But the Inquisition became an instrument used by the crown to strengthen its power and jurisdiction.
       The Church's power and prestige in governance came under direct attack for the first time under the Marquis of Pombal (1750-77) when, as the king's prime minister, he placed regalism above the Church's interests. In 1759, the Jesuits were expelled from Portugal, although they were allowed to return after Pombal left office. Pombal also harnessed the Inquisition and put in place other anticlerical measures. With the rise of liberalism and the efforts to secularize Portugal after 1820, considerable Church-state conflict occurred. The new liberal state weakened the power and position of the Church in various ways: in 1834, all religious orders were suppressed and their property confiscated both in Portugal and in the empire and, in the 1830s and 1840s, agrarian reform programs confiscated and sold large portions of Church lands. By the 1850s, Church-state relations had improved, various religious orders were allowed to return, and the Church's influence was largely restored. By the late 19th century, Church and state were closely allied again. Church roles in all levels of education were pervasive, and there was a popular Catholic revival under way.
       With the rise of republicanism and the early years of the First Republic, especially from 1910 to 1917, Church-state relations reached a new low. A major tenet of republicanism was anticlericalism and the belief that the Church was as much to blame as the monarchy for the backwardness of Portuguese society. The provisional republican government's 1911 Law of Separation decreed the secularization of public life on a scale unknown in Portugal. Among the new measures that Catholics and the Church opposed were legalization of divorce, appropriation of all Church property by the state, abolition of religious oaths for various posts, suppression of the theology school at Coimbra University, abolition of saints' days as public holidays, abolition of nunneries and expulsion of the Jesuits, closing of seminaries, secularization of all public education, and banning of religious courses in schools.
       After considerable civil strife over the religious question under the republic, President Sidónio Pais restored normal relations with the Holy See and made concessions to the Portuguese Church. Encouraged by the apparitions at Fátima between May and October 1917, which caused a great sensation among the rural people, a strong Catholic reaction to anticlericalism ensued. Backed by various new Catholic organizations such as the "Catholic Youth" and the Academic Center of Christian Democracy (CADC), the Catholic revival influenced government and politics under the Estado Novo. Prime Minister Antônio de Oliveira Salazar was not only a devout Catholic and member of the CADC, but his formative years included nine years in the Viseu Catholic Seminary preparing to be a priest. Under the Estado Novo, Church-state relations greatly improved, and Catholic interests were protected. On the other hand, Salazar's no-risk statism never went so far as to restore to the Church all that had been lost in the 1911 Law of Separation. Most Church property was never returned from state ownership and, while the Church played an important role in public education to 1974, it never recovered the influence in education it had enjoyed before 1911.
       Today, the majority of Portuguese proclaim themselves Catholic, and the enduring nature of the Church as an institution seems apparent everywhere in the country. But there is no longer a monolithic Catholic faith; there is growing diversity of religious choice in the population, which includes an increasing number of Protestant Portuguese as well as a small but growing number of Muslims from the former Portuguese empire. The Muslim community of greater Lisbon erected a Mosque which, ironically, is located near the Spanish Embassy. In the 1990s, Portugal's Catholic Church as an institution appeared to be experiencing a revival of influence. While Church attendance remained low, several Church institutions retained an importance in society that went beyond the walls of the thousands of churches: a popular, flourishing Catholic University; Radio Re-nascenca, the country's most listened to radio station; and a new private television channel owned by the Church. At an international conference in Lisbon in September 2000, the Cardinal Patriarch of Portugal, Dom José Policarpo, formally apologized to the Jewish community of Portugal for the actions of the Inquisition. At the deliberately selected location, the place where that religious institution once held its hearings and trials, Dom Policarpo read a declaration of Catholic guilt and repentance and symbolically embraced three rabbis, apologizing for acts of violence, pressures to convert, suspicions, and denunciation.

    Historical dictionary of Portugal > Catholic church

  • 16 Klasse

    I indekl. Adj. umg.: eine klasse Idee a terrific ( oder great, brilliant) idea; das Buch ist klasse the book is brilliant; klasse! Ausruf: super!
    II Adv.: klasse gemacht brilliantly done; du siehst klasse aus you look fantastic
    * * *
    die Klasse
    (Kategorie) category; class;
    (Qualität) sort; grade; quality;
    (Schüler) form; class
    * * *
    Klạs|se ['klasə]
    f -, -n
    1) class; (= Steuerklasse auch) bracket; (= Wertklasse auch) rate; (= Spielklasse) league; (= Güteklasse) grade; (= Führerscheinklasse, Gewinnklasse) category
    2) (SCH) class, form; (= Raum) classroom
    * * *
    die
    1) (a number of students or scholars taught together: John and I are in the same class.) class
    2) (a school class: He is in the sixth form.) form
    3) ((American) (the pupils in) a class or year at school: We're in the fifth grade now.) grade
    4) (a social class: the lower social ranks.) rank
    * * *
    Klas·se
    <-, -n>
    [ˈklasə]
    f
    1. (Schulklasse) class, BRIT a. form
    eine \Klasse wiederholen/überspringen to repeat/skip a year; (Klassenraum) classroom
    die herrschende \Klasse the ruling classes pl
    zur \Klasse der Arbeiter gehören to belong to the [or to be] working class
    3. (Güteklasse) class
    Champignons der \Klasse III class III mushrooms
    ein Wagen der gehobenen \Klasse a top-of-the-range car
    ein Spieler der besten \Klasse a first-class player
    4. BIOL category
    5. POL (Rangstufe) rank, class
    das Bundesverdienstkreuz erster \Klasse the Order of Merit of the Federal Republic of Germany first-class
    wir fahren immer erster \Klasse we always travel first-class
    7. SPORT league; Boxen division, class
    der Führerschein \Klasse III a class III driving licence [or AM -se
    11. JUR (Patentrecht) class
    anwendungsbezogene \Klasse utility-oriented class
    anwendungsfreie \Klasse non-utility-oriented class
    12.
    erster \Klasse first-class [or -rate]
    [ganz] große \Klasse! [sein] (fam) [that's] [just] great! fam
    \Klasse statt Masse (fam) quality not quantity
    * * *
    die; Klasse, Klassen
    1) (SchulKlasse) class; form (esp. Brit.); (Raum) classroom; (Stufe) year; grade (Amer.)
    3) (Sport) league; (Boxen) division; class
    4) (Kategorie) class

    er ist ein Künstler erster Klasse(ugs.) he is a first-class or first-rate artist

    das ist [einsame od. ganz große] Klasse! — (ugs.) that's [just] great (coll.) or marvellous!

    5) (Biol.) class
    * * *
    Klasse f; -, -n
    1. SCHULE class, Br auch form, US auch grade; in Klassenbezeichnungen: Br meist form; (Stufe) year, US grade; (Klassenzimmer) classroom;
    sie musste die dritte Klasse wiederholen she had to repeat the third year (US repeat third grade)
    2. SOZIOL class;
    die arbeitende/herrschende Klasse the working/ruling class
    3. WIRTSCH grade, quality
    4. SPORT class; besonders Fußball: division, league, US auch conference
    5. (Gehalts-, Steuerklasse) bracket
    6. Qualitätsstufe: class;
    Fahrkarte erster Klasse first-class ticket;
    erster Klasse reisen travel first-class;
    man behandelte uns wie Menschen zweiter Klasse we were treated as second-class citizens;
    er ist eine Klasse für sich he’s in a class of his own;
    das war (ganz große) Klasse! umg that was (really) great ( oder fantastic)
    7. (Fahrzeug-, Führerscheinklasse) category;
    ein Wagen der mittleren Klasse a middle-range car;
    Führerschein Klasse B category B driving licence (US driver’s license) (for cars and light commercial vehicles up to 3,500 kg and 8 seats)
    7. BIOL class;
    Tiere und Pflanzen nach Klassen einteilen classify animals and plants
    Klasse… im subst umg super, great, brilliant
    * * *
    die; Klasse, Klassen
    1) (SchulKlasse) class; form (esp. Brit.); (Raum) classroom; (Stufe) year; grade (Amer.)
    3) (Sport) league; (Boxen) division; class
    4) (Kategorie) class

    er ist ein Künstler erster Klasse(ugs.) he is a first-class or first-rate artist

    das ist [einsame od. ganz große] Klasse! — (ugs.) that's [just] great (coll.) or marvellous!

    5) (Biol.) class
    * * *
    -n f.
    class n.
    (§ pl.: classes)
    grade n.

    Deutsch-Englisch Wörterbuch > Klasse

  • 17 Tag

    m; -(e)s, -e
    1. Ggs. zu Nacht: day (-time); am oder bei Tage during the day, in the daytime, by day; (bei Tageslicht) in daylight; es wird Tag it’s getting light; früh am Tage early in the day; Tag und Nacht day and night; es ist ein Unterschied wie Tag und Nacht there’s (absolutely) no comparison, it’s as different as day and night
    2. Teil der Woche: day; dreimal am Tag three times a day; am nächsten Tag (on) the next day; am Tag zuvor the day before; an jenem Tag on that (particular) day; eines Tages one day; zukünftig: auch some day; welcher Tag ist heute? what day is it today?; ein Tag wie jeder andere a perfectly ordinary day, a day like any other; den ganzen Tag all day (long), throughout the day; den lieben langen Tag umg. the livelong day; Tag für Tag, Tag um Tag day after day; er wird Tag für Tag besser he’s getting better every day ( oder from day to day, day by day); von Tag zu Tag from day to day; von einem Tag auf den andern from one day to the next, overnight; ein Tag um den anderen, jeden zweiten Tag every other day; es müsste jeden Tag da sein it should be here any day (now); dieser Tage (neulich) the other day; (zurzeit) these days; auf oder für ein paar Tage for a couple of ( oder a few) days; auf den Tag ( genau) to the day; auf den Tag genau ankommen Geschenk etc.: arrive right on the day, arrive on the actual day; bis auf den heutigen Tag to this day; sich (Dat) einen guten Tag machen have a lazy day, make an easy day of it, treat o.s.; sich (Dat) ein paar schöne Tage machen take a break ( oder go off and enjoy o.s.) for a couple of ( oder a few) days; freier Tag day off; Tag der Arbeit Labo(u)r Day; Tag der Deutschen Einheit Day of German Unity; der Tag des Herrn förm. the Lord’s day ( oder Day)
    3. als Gruß: guten Tag! oder Tag! umg. morgens: (good) morning; nachmittags: good afternoon, hello umg., bes. Am. auch hi, howdy umg.; bei Vorstellung: how d’you do förm., hello; Tag auch! umg. (oh,) hi!; ( bei jemandem) guten Tag sagen pop in and say hello (to s.o.); ich will schnell noch Oma guten Tag sagen I’ll just look in on grandma, I just want to pop in and say hello to grandma; ( einen) schönen Tag noch! have a nice day, all the best
    4. fig.: an den Tag bringen / kommen bring / come to light; an den Tag legen display, show, exhibit; bei Tage besehen on closer inspection, (looked at) in the cold light of day; jetzt wird’s Tag! überrascht: I don’t believe it!; er hat bessere Tage gesehen he’s seen better times ( oder days); seine großen Tage sind vorüber he’s had his heyday, the big time is over for him, Am. auch he’s had his 15 minutes of fame; auf meine alten Tage umg. at my (great) age; seine Tage sind gezählt his days are numbered; das waren goldene Tage those were the days, those were great times; in den Tag hinein leben live from day to day, (just) take things as they come; in den Tag hinein reden umg. talk off the top of one’s head, (just) say whatever comes into one’s head; er hat seinen guten / schlechten Tag he’s in a good / bad mood today; heute habe ich keinen guten Tag it’s not my day today, I seem to be having an off day (today), I’m having one of those days umg.; das dauert ewig und drei Tage umg. it’s taking an age (and a half), it’s taking years; es ist noch nicht aller Tage Abend it’s early days yet; man soll den Tag nicht vor dem Abend loben don’t count your chickens before they’re hatched; morgen ist auch noch ein Tag! let it go ( oder let that do) for today, tomorrow’s another day
    5. Tage umg. (Regel) period; sie hat ihre Tage she’s got her period, it’s that ( oder the) time of the month (for her); wann kriegst du deine Tage? when’s your period due?
    6. unter Tage BERGB. underground; über Tage above ground, (on the) surface; acht1, helllicht, jüngst..., Tür 1, vierzehn, zutage etc.
    [tεk] n; -s, -s; EDV tag
    * * *
    der Tag
    day
    * * *
    I [taːk]
    m -(e)s, -e
    [-gə]
    1) day

    am Tág(e) des/der... — (on) the day of...

    am Tág — during the day

    jeden Tág — every day

    am vorigen Tág(e), am Tág(e) vorher — the day before, the previous day

    auf den Tág (genau) — to the day

    auf ein paar Táge — for a few days

    auf seine alten Táge — at his age

    bis auf seine letzten Táge — to his dying day, right up to the very end

    bei Tág und Nacht — night and day, day and night

    bis in unsere Táge — up to the present day

    in den letzten Tágen — in the last few days, in recent days

    bis die Táge! (inf)so long (inf), cheerio (Brit inf), see ya (inf)

    den ganzen Tág (lang) (lit, fig) — all day long, the whole day

    eines Táges — one day

    eines Táges wirst du... — one day or one of these days you'll...

    eines schönen or guten Táges — one fine day

    einen schönen/faulen Tág machen — to have a nice/lazy day

    Tág für or um Tág — day by day

    in unseren Tágen, in den heutigen Tágen — these days, nowadays

    unter Tágs (dial)during the daytime

    von Tág zu Tág — from day to day, every day

    Tág der Arbeit — Labour Day (Brit), Labor Day (US)

    Tág der Republik/Befreiung (DDR) — Republic/Liberation Day

    der Tág des Herrn (Eccl)the Lord's Day

    welcher Tág ist heute? — what day is it today?, what's today?

    ein Tág wie jeder andere — a day like any other

    guten Tág! — hello (inf), good day (dated form); (vormittags auch) good morning; (nachmittags auch) good afternoon; (esp bei Vorstellung) how-do-you-do

    Tág! (inf) — hello, hi (inf); morning (inf); afternoon (inf)

    ich wollte nur Guten (or guten) Tág sagen — I just wanted to have a chat

    zweimal am Tág(e) or pro Tág — twice daily or a day

    von einem Tág auf den anderen — overnight

    der Lärm des Táges — the bustle of the world

    der Tág X — D-Day (fig)

    er erzählt or redet viel, wenn der Tág lang ist (inf)he'll tell you anything if you let him

    seinen guten/schlechten Tág haben — to have a good/bad or off day, to have one of one's good/bad or off days

    das war heute wieder ein Tág! (inf)what a day!

    das Ereignis/Thema des Táges — the event/talking point of the day

    Sie hören jetzt die Nachrichten des Táges — and now the or today's news

    in den Tág hinein leben — to take each day as it comes, to live from day to day

    Tág und Nacht — night and day, day and night

    das ist ein Unterschied wie Tág und Nacht — they are as different as chalk and cheese (Brit) or night and day (US)

    Tág und Stunde bestimmen — to fix a precise time

    See:
    Abend
    2)

    (= Tageslicht) bei Tág(e) (ankommen) — while it's light; arbeiten, reisen during the day

    es wird schon Tág — it's getting light already

    es ist Tág — it's light

    solange (es) noch Tág ist — while it's still light

    an den Tág kommen (fig)to come to light

    etw an den Tág bringen — to bring sth to light

    er legte großes Interesse an den Tág — he showed great interest

    See:
    3) (inf = Menstruation)

    meine/ihre Táge — my/her period

    sie hat ihre Táge (bekommen) — it's her time of the month (Brit), she has her period (US)

    4) (MIN)

    über Táge arbeiten — to work above ground, to work on or at the surface

    unter Táge arbeiten — to work underground or below ground, to work below the surface

    etw unter Táge abbauen — to mine sth

    etw über Táge abbauen — to quarry (esp Brit) or excavate sth

    II [tɛk]
    m -s, -s (COMPUT)
    tag
    * * *
    der
    1) (the period from sunrise to sunset: She worked all day; The days are warm but the nights are cold.) day
    2) (a part of this period eg that part spent at work: How long is your working day?; The school day ends at 3 o'clock; I see him every day.) day
    3) (the period of twenty-four hours from one midnight to the next: How many days are in the month of September?) day
    * * *
    Tag1
    <-[e]s, -e>
    [ta:k, pl ta:gə]
    m
    das war heute wieder ein \Tag! what a day that was!
    alle \Tage (fam) every day
    alle drei \Tage every three days
    achtmal am \Tag eight times a day
    auf [o für] ein paar \Tage for a few [or couple of] days
    eines [schönen] \Tages one day, one of these [fine] days
    eines [schönen] \Tages klingelte es und ihre alte Jugendliebe stand vor der Tür one fine day there was a ring at the door and her old flame was standing at the door
    eines schönen \Tages wirst du auf die Schnauze fallen you'll come a cropper one of these days! fam
    sich dat einen faulen [o schönen] \Tag machen to take things easy for the day
    ein freier \Tag a day off
    \Tag für \Tag every day
    \Tag für \Tag erreichen uns neue Hiobsbotschaften every day there's more terrible news
    den ganzen \Tag [lang] all day long, the whole day
    das Gespräch[sthema]/der Held des \Tages the talking point/hero of the day
    jds großer \Tag sb's big day
    [s]einen guten/schlechten \Tag haben to have a good/bad day
    gestern hatte ich
    einen schlechten \Tag, da ist alles schiefgegangen yesterday just wasn't my day, everything went wrong
    wenn ich einen schlechten \Tag habe, geht alles schief when I have an off day everything goes wrong
    jeden \Tag every day
    der Vulkan kann jetzt jeden \Tag ausbrechen the volcano could erupt at any time
    der Brief muss jeden \Tag kommen the letter should arrive any day now
    das Neueste vom \Tage the latest [news]
    weißt du schon das Neueste vom \Tage? have you heard the latest?
    seinen... \Tag haben to feel... today
    da hast du 20 Euro, ich habe heute meinen großzügigen \Tag here's 20 euros for you, I'm feeling generous today
    von einem \Tag auf den anderen (plötzlich) overnight; (ständig) continually
    sie mussten ihr Haus von einem \Tag auf den anderen räumen they had to vacate their house overnight
    ich verschiebe es von einem \Tag auf den anderen I keep putting it off
    von \Tag zu \Tag from day to day
    jeden zweiten \Tag every other day
    2. (Datum) day
    welcher \Tag ist heute? what day is it today?
    lass uns also \Tag und Stunde unseres Treffens festlegen let's fix a day and a time for our meeting
    am \Tag danach [o folgenden \Tag] the next day
    am \Tag vorher [o vorherigen \Tag] the day before
    auf den \Tag [genau] [exactly] to the day
    ich kann es Ihnen nicht auf den \Tag genau sagen I can't tell you to the exact day
    dieser \Tage (fam: früher) in the last few days; (später) in the next few days
    heute in fünf \Tagen five days from now
    bis zum heutigen \Tag up to the present day
    in den nächsten \Tagen in the next few days
    \Tag der offenen Tür open day
    der \Tag X D-day
    der \Tag des/der......day
    der 4. Juli ist der \Tag der Unabhängigkeit Amerikas 4th July is America's Independence Day
    der \Tag der Arbeit Labour Day
    der 1. Mai ist traditionell der \Tag der Arbeit 1st May is traditionally Labour Day
    der \Tag des Herrn (geh) the Lord's Day
    der \Tag des Kindes Children's Day
    4. (Tageslicht) light
    es ist noch nicht \Tag it's not light yet
    im Sommer werden die \Tage länger the days grow longer in summer
    am \Tag during the day
    am \Tag bin ich immer im Büro I'm always in the office during the day
    bei \Tag[e] while it's light
    wir reisen besser bei \Tage ab we had better leave while it's light
    [bei] \Tag und Nacht night and day
    in den letzten Wochen habe ich \Tag und Nacht geschuftet I've been grafting away night and day for these last few weeks
    \Tag sein/werden to be/become light
    sobald es \Tag wird, fahren wir los we'll leave as soon as it's light
    im Sommer wird es früher \Tag als im Winter it gets light earlier in summer than in winter
    5. pl (fam: Menstruation) period
    jds \Tage sb's period
    sie hat ihre \Tage [bekommen] it's that time of the month for her
    6. pl (Lebenszeit) days
    auf seine/ihre alten \Tage at his/her time of life
    auf seine alten \Tage hat er noch ein Studium angefangen despite his advanced years he has begun some serious studies
    die \Tage der Jugend one's salad days old
    bis in unsere \Tage [hinein] up to the present day
    in unseren \Tagen nowadays
    über/unter \Tage above/below ground
    8.
    es ist noch nicht aller \Tage Abend it's not all over yet
    man soll den \Tag nicht vor dem Abend loben (prov) one shouldn't count one's chickens before they're hatched prov
    schon bessere \Tage gesehen haben to have seen better days
    na, dein Auto hat auch schon bessere \Tag gesehen! well, your car has seen better days, hasn't it?
    etw an den \Tag bringen to bring sth to light
    ewig und drei \Tage (hum fam) for ever and a day
    guten \Tag! good day! form, hello!, good afternoon/morning!
    nur guten \Tag sagen wollen to just want to say hallo
    willst du nicht zum Essen bleiben? — nein, ich wollte nur schnell guten \Tag sagen won't you stay and have something to eat? — no, I just wanted to pop in and say hallo
    der Jüngste \Tag REL the Day of Judgement
    etw kommt an den \Tag sth comes to light
    in den \Tag hinein leben to live from day to day
    Interesse [an etw akk] an den \Tag legen to show interest [in sth]
    Aufmerksamkeit an den \Tag legen to pay attention
    den lieben langen \Tag all day long, [all] the livelong day form
    viel reden [o erzählen], wenn der \Tag lang ist (fam) to tell somebody anything
    \Tag! (fam) morning! fam
    Tag2
    <-[s], -s>
    [tɛk]
    nt INFORM tag
    * * *
    der; Tag[e]s, Tage
    1) day

    es wird/ist Tag — it's getting/it is light

    der Tag bricht an od. erwacht/neigt sich — (geh.) the day breaks/draws to an end or a close

    am Tag[e] — during the day[time]

    er redet viel, wenn der Tag lang ist — (ugs.) you can't put any trust in what he says

    man soll den Tag nicht vor dem Abend loben(Spr.) don't count your chickens before they're hatched (prov.)

    guten Tag! — hello; (bei Vorstellung) how do you do?; (nachmittags auch) good afternoon

    etwas an den Tag bringen od. (geh.) ziehen — bring something to light; reveal something

    über/unter Tag[e] — (Bergmannsspr.) above ground/underground

    2) (Zeitraum von 24 Stunden) day

    welchen Tag haben wir heute? (Wochentag) what day is it today? what's today?; (Datum) what date is it today?

    heute in/vor drei Tagen — three days from today/three days ago today

    am Tage vorher — on the previous day; the day before

    Tag für Tag — every [single] day

    sich (Dat.) einen schönen/faulen Tag machen — (ugs.) have a nice/lazy day

    eines Tages — one day; some day

    von einem Tag auf den anderen — from one day to the next; overnight

    3) (EhrenTag, GedenkTag)
    4) Plural ([Lebens]zeit) days

    auf meine/deine usw. alten Tage — in my/your etc. old age

    5) Plural (ugs.): (verhüll.: Menstruation) period sing
    * * *
    Tag1 m; -(e)s, -e
    1. Ggs zu Nacht: day(-time);
    am oder
    bei Tage during the day, in the daytime, by day; (bei Tageslicht) in daylight;
    es wird Tag it’s getting light;
    früh am Tage early in the day;
    Tag und Nacht day and night;
    es ist ein Unterschied wie Tag und Nacht there’s (absolutely) no comparison, it’s as different as day and night
    dreimal am Tag three times a day;
    am nächsten Tag (on) the next day;
    am Tag zuvor the day before;
    an jenem Tag on that (particular) day;
    eines Tages one day; zukünftig: auch some day;
    welcher Tag ist heute? what day is it today?;
    ein Tag wie jeder andere a perfectly ordinary day, a day like any other;
    den ganzen Tag all day (long), throughout the day;
    den lieben langen Tag umg the livelong day;
    Tag für Tag, Tag um Tag day after day;
    er wird Tag für Tag besser he’s getting better every day ( oder from day to day, day by day);
    von Tag zu Tag from day to day;
    von einem Tag auf den andern from one day to the next, overnight;
    ein Tag um den anderen, jeden zweiten Tag every other day;
    es müsste jeden Tag da sein it should be here any day (now);
    dieser Tage (neulich) the other day; (zurzeit) these days;
    für ein paar Tage for a couple of ( oder a few) days;
    auf den Tag (genau) to the day;
    auf den Tag genau ankommen Geschenk etc: arrive right on the day, arrive on the actual day;
    sich (dat)
    einen guten Tag machen have a lazy day, make an easy day of it, treat o.s.;
    sich (dat)
    ein paar schöne Tage machen take a break ( oder go off and enjoy o.s.) for a couple of ( oder a few) days;
    freier Tag day off;
    Tag der Arbeit Labo(u)r Day;
    Tag der Deutschen Einheit Day of German Unity;
    der Tag des Herrn form the Lord’s day ( oder Day)
    guten Tag! oder
    Tag! umg morgens: (good) morning; nachmittags: good afternoon, hello umg, besonders US auch hi, howdy umg; bei Vorstellung: how d’you do form, hello;
    Tag auch! umg (oh,) hi!;
    (bei jemandem) Guten Tag sagen pop in and say hello (to sb);
    ich will schnell noch Oma Guten Tag sagen I’ll just look in on grandma, I just want to pop in and say hello to grandma;
    (einen) schönen Tag noch! have a nice day, all the best
    4. fig:
    an den Tag bringen/kommen bring/come to light;
    an den Tag legen display, show, exhibit;
    bei Tage besehen on closer inspection, (looked at) in the cold light of day;
    jetzt wird’s Tag! überrascht: I don’t believe it!;
    er hat bessere Tage gesehen he’s seen better times ( oder days);
    seine großen Tage sind vorüber he’s had his heyday, the big time is over for him, US auch he’s had his 15 minutes of fame;
    auf meine alten Tage umg at my (great) age;
    seine Tage sind gezählt his days are numbered;
    das waren goldene Tage those were the days, those were great times;
    in den Tag hinein leben live from day to day, (just) take things as they come;
    in den Tag hinein reden umg talk off the top of one’s head, (just) say whatever comes into one’s head;
    er hat seinen guten/schlechten Tag he’s in a good/bad mood today;
    heute habe ich keinen guten Tag it’s not my day today, I seem to be having an off day (today), I’m having one of those days umg;
    das dauert ewig und drei Tage umg it’s taking an age (and a half), it’s taking years;
    es ist noch nicht aller Tage Abend it’s early days yet;
    man soll den Tag nicht vor dem Abend loben don’t count your chickens before they’re hatched;
    morgen ist auch noch ein Tag! let it go ( oder let that do) for today, tomorrow’s another day
    5.
    Tage umg (Regel) period;
    sie hat ihre Tage she’s got her period, it’s that ( oder the) time of the month (for her);
    wann kriegst du deine Tage? when’s your period due?
    6.
    unter Tage BERGB underground;
    über Tage above ground, (on the) surface; acht1, helllicht, jüngst…, Tür 1, vierzehn, zutage etc
    Tag2 [tɛk] n; -s, -s; IT tag
    * * *
    der; Tag[e]s, Tage
    1) day

    es wird/ist Tag — it's getting/it is light

    der Tag bricht an od. erwacht/neigt sich — (geh.) the day breaks/draws to an end or a close

    am Tag[e] — during the day[time]

    er redet viel, wenn der Tag lang ist — (ugs.) you can't put any trust in what he says

    man soll den Tag nicht vor dem Abend loben(Spr.) don't count your chickens before they're hatched (prov.)

    guten Tag! — hello; (bei Vorstellung) how do you do?; (nachmittags auch) good afternoon

    etwas an den Tag bringen od. (geh.) ziehen — bring something to light; reveal something

    über/unter Tag[e] — (Bergmannsspr.) above ground/underground

    2) (Zeitraum von 24 Stunden) day

    welchen Tag haben wir heute? (Wochentag) what day is it today? what's today?; (Datum) what date is it today?

    heute in/vor drei Tagen — three days from today/three days ago today

    am Tage vorher — on the previous day; the day before

    Tag für Tag — every [single] day

    sich (Dat.) einen schönen/faulen Tag machen — (ugs.) have a nice/lazy day

    eines Tages — one day; some day

    von einem Tag auf den anderen — from one day to the next; overnight

    3) (EhrenTag, GedenkTag)
    4) Plural ([Lebens]zeit) days

    auf meine/deine usw. alten Tage — in my/your etc. old age

    5) Plural (ugs.): (verhüll.: Menstruation) period sing
    * * *
    -e m.
    day n.

    Deutsch-Englisch Wörterbuch > Tag

  • 18 klasse

    I indekl. Adj. umg.: eine klasse Idee a terrific ( oder great, brilliant) idea; das Buch ist klasse the book is brilliant; klasse! Ausruf: super!
    II Adv.: klasse gemacht brilliantly done; du siehst klasse aus you look fantastic
    * * *
    die Klasse
    (Kategorie) category; class;
    (Qualität) sort; grade; quality;
    (Schüler) form; class
    * * *
    Klạs|se ['klasə]
    f -, -n
    1) class; (= Steuerklasse auch) bracket; (= Wertklasse auch) rate; (= Spielklasse) league; (= Güteklasse) grade; (= Führerscheinklasse, Gewinnklasse) category
    2) (SCH) class, form; (= Raum) classroom
    * * *
    die
    1) (a number of students or scholars taught together: John and I are in the same class.) class
    2) (a school class: He is in the sixth form.) form
    3) ((American) (the pupils in) a class or year at school: We're in the fifth grade now.) grade
    4) (a social class: the lower social ranks.) rank
    * * *
    Klas·se
    <-, -n>
    [ˈklasə]
    f
    1. (Schulklasse) class, BRIT a. form
    eine \Klasse wiederholen/überspringen to repeat/skip a year; (Klassenraum) classroom
    die herrschende \Klasse the ruling classes pl
    zur \Klasse der Arbeiter gehören to belong to the [or to be] working class
    3. (Güteklasse) class
    Champignons der \Klasse III class III mushrooms
    ein Wagen der gehobenen \Klasse a top-of-the-range car
    ein Spieler der besten \Klasse a first-class player
    4. BIOL category
    5. POL (Rangstufe) rank, class
    das Bundesverdienstkreuz erster \Klasse the Order of Merit of the Federal Republic of Germany first-class
    wir fahren immer erster \Klasse we always travel first-class
    7. SPORT league; Boxen division, class
    der Führerschein \Klasse III a class III driving licence [or AM -se
    11. JUR (Patentrecht) class
    anwendungsbezogene \Klasse utility-oriented class
    anwendungsfreie \Klasse non-utility-oriented class
    12.
    erster \Klasse first-class [or -rate]
    [ganz] große \Klasse! [sein] (fam) [that's] [just] great! fam
    \Klasse statt Masse (fam) quality not quantity
    * * *
    die; Klasse, Klassen
    1) (SchulKlasse) class; form (esp. Brit.); (Raum) classroom; (Stufe) year; grade (Amer.)
    3) (Sport) league; (Boxen) division; class
    4) (Kategorie) class

    er ist ein Künstler erster Klasse(ugs.) he is a first-class or first-rate artist

    das ist [einsame od. ganz große] Klasse! — (ugs.) that's [just] great (coll.) or marvellous!

    5) (Biol.) class
    * * *
    A. undekl adj umg:
    eine klasse Idee a terrific ( oder great, brilliant) idea;
    das Buch ist klasse the book is brilliant;
    klasse! Ausruf: super!
    B. adv:
    klasse gemacht brilliantly done;
    du siehst klasse aus you look fantastic
    * * *
    die; Klasse, Klassen
    1) (SchulKlasse) class; form (esp. Brit.); (Raum) classroom; (Stufe) year; grade (Amer.)
    3) (Sport) league; (Boxen) division; class
    4) (Kategorie) class

    er ist ein Künstler erster Klasse(ugs.) he is a first-class or first-rate artist

    das ist [einsame od. ganz große] Klasse! — (ugs.) that's [just] great (coll.) or marvellous!

    5) (Biol.) class
    * * *
    -n f.
    class n.
    (§ pl.: classes)
    grade n.

    Deutsch-Englisch Wörterbuch > klasse

  • 19 afectar

    v.
    1 to affect.
    las medidas afectan a los pensionistas the measures affect pensioners
    La conversación afecta sus ideas The conversation affects his ideas.
    2 to upset, to affect badly.
    le afectó mucho la muerte de su hermano his brother's death hit him hard
    3 to damage.
    a esta madera le afecta mucho la humedad this wood is easily damaged by damp
    4 to affect, to feign.
    afectó enfado he feigned o affected anger
    María afecta interés pero no es así Mary feigns interest but it is not so.
    5 to pretend to.
    El chico afecta saber mucho The boy pretends to know a lot.
    * * *
    1 (aparentar) to affect
    2 (impresionar) to move
    3 (dañar) to damage
    4 (concernir) to concern
    1 (impresionarse) to be affected, be moved
    * * *
    verb
    * * *
    1. VT
    1) (=repercutir sobre) to affect
    2) (=entristecer) to sadden; (=conmover) to move
    3) frm (=fingir) to affect, feign

    afectar ignoranciato affect o feign ignorance

    4) (Jur) to tie up, encumber
    5) LAm [+ forma] to take, assume
    6) LAm (=destinar) to allocate
    2.
    See:
    * * *
    verbo transitivo
    1)
    a) ( tener efecto en) to affect
    b) ( afligir) to affect (frml)
    2) ( fingir) <admiración/indiferencia> to affect, feign
    * * *
    = affect, colour [color, -USA], cut into, disturb, hit, impair, mar, plague, take + Posesivo + toll (on), beset (with/by), concern, afflict, disrupt, bias, prejudice, cross over, bedevil, dog, dent, make + a dent in, ail, strike, spill over into, take + a toll on, hobble, cast + an impact.
    Ex. Errors such as indexers assigning unsuitable terms to concepts, or relationships being omitted, will affect precision.
    Ex. Lastly, the style, length and contents of an abstract should and will be coloured by the resources of the abstracting agency.
    Ex. The paperback has cut sharply into fiction circulation, and Ennis is right in questioning this type of library.
    Ex. Transcribe the data as found, however, if case endings are affected, if the grammatical construction of the data would be disturbed, or if one element is inseparably linked to another.
    Ex. Flooding, fire, earthquake, collapsed buildings and landslides are the most frequent kinds of disasters to hit libraries: nearly all will lead to wet books.
    Ex. It is difficult to neglect either entirely, without impairing the effectiveness in fulfilling the other objective.
    Ex. Unfortunately, much of Metcalfe's writing is marred by what appears to be a deep-rooted prejudice against the classified approach, particularly as exemplified by Ranganathan.
    Ex. Title indexes have always been plagued by the absence of terminology control.
    Ex. The pressures which modern society puts on all its members are great and those pressures take their toll.
    Ex. Since 1963 they have produced their own bibliographic listings with various degrees of efficiency and comprehensiveness but usually with the same depressing tardiness in recording new publications which has so beset the UNDEX listings.
    Ex. The first issue concerns the consistent description of subjects.
    Ex. There will also be those who have in fact decided what information they need but are afflicted by the paralysis of 'unverbalised thought'.
    Ex. Essentially, problem patrons can be considered in three groups: (1) the dangerous or apparently dangerous; (2) the patron who disrupts readers; and (3) the nuisance whose focus is the librarian.
    Ex. A sample would be biased if some elements in the population have no chance of selection.
    Ex. The very requirements for success in one area may prejudice success in another.
    Ex. Conversely, indirect costs are those factors that are difficult to assign to individual products because they cross over several products.
    Ex. The article has the title 'Piracy, crooked printers, inflation bedevil Russian publishing'.
    Ex. The title of the article is 'Sweeping away the problems that dog the industry?'.
    Ex. Perhaps by the year 2010 newspaper circulations might be seriously dented by online services.
    Ex. Office automation products and techniques will be able to make a sizeable dent in the growing number of office workers.
    Ex. The federal government has been once again defined as something broken and part of the problem ailing America.
    Ex. The collections of the National Library of the Czech Republic have suffered from the floods that recently struck a large part of the country.
    Ex. The artificiality of institutional concepts has spilled over into the structure of the publishing services on which the user depends for Community information.
    Ex. Agoraphobia can take a toll on sufferers' families as well as the sufferers themselves, as some agoraphobics may become housebound or cling to certain people for safety.
    Ex. With Florida's no-fault auto insurance law set to expire in October, there are fears that that medical services could be hobbled.
    Ex. An interest-rate increase is a weapon to fight inflation which will cast an impact on all industries.
    ----
    * afectar a = cut across, have + impact (on), have + effect on, have + implication for, impinge on/upon, operate on, carry over to.
    * afectar a la eficacia de Algo = prejudice + effectiveness.
    * afectar al mundo = span + the globe.
    * afectar a todo = run through.
    * afectar a todo el país = sweep + the country.
    * afectar a una decisión = colour + decision, affect + decision.
    * afectar completamente = engulf.
    * afectar directamente = cut to + the quick.
    * afectar directamente a = cut to + the heart of.
    * afectar fuertemente = hit + hard.
    * afectar mucho = hit + hard.
    * dificultad + afectar = difficulty + dog.
    * no afectar = be immune against, leave + unaffected.
    * no ser afectado = leave + unaffected.
    * problema + afectar = problem + afflict, problem + plague.
    * problemática que afecta a = issues + surrounding.
    * que afecta a = surrounding.
    * que afecta a toda la sociedad = culture-wide.
    * que afecta a todas las culturas = culture-wide.
    * que afecta a varias edades = cross-age [cross age].
    * que afecta a varias generaciones = cross-generational.
    * ser afectado por = have + a high stake in.
    * sin ser afectado = untouched.
    * verse muy afectado por = have + a high stake in.
    * * *
    verbo transitivo
    1)
    a) ( tener efecto en) to affect
    b) ( afligir) to affect (frml)
    2) ( fingir) <admiración/indiferencia> to affect, feign
    * * *
    = affect, colour [color, -USA], cut into, disturb, hit, impair, mar, plague, take + Posesivo + toll (on), beset (with/by), concern, afflict, disrupt, bias, prejudice, cross over, bedevil, dog, dent, make + a dent in, ail, strike, spill over into, take + a toll on, hobble, cast + an impact.

    Ex: Errors such as indexers assigning unsuitable terms to concepts, or relationships being omitted, will affect precision.

    Ex: Lastly, the style, length and contents of an abstract should and will be coloured by the resources of the abstracting agency.
    Ex: The paperback has cut sharply into fiction circulation, and Ennis is right in questioning this type of library.
    Ex: Transcribe the data as found, however, if case endings are affected, if the grammatical construction of the data would be disturbed, or if one element is inseparably linked to another.
    Ex: Flooding, fire, earthquake, collapsed buildings and landslides are the most frequent kinds of disasters to hit libraries: nearly all will lead to wet books.
    Ex: It is difficult to neglect either entirely, without impairing the effectiveness in fulfilling the other objective.
    Ex: Unfortunately, much of Metcalfe's writing is marred by what appears to be a deep-rooted prejudice against the classified approach, particularly as exemplified by Ranganathan.
    Ex: Title indexes have always been plagued by the absence of terminology control.
    Ex: The pressures which modern society puts on all its members are great and those pressures take their toll.
    Ex: Since 1963 they have produced their own bibliographic listings with various degrees of efficiency and comprehensiveness but usually with the same depressing tardiness in recording new publications which has so beset the UNDEX listings.
    Ex: The first issue concerns the consistent description of subjects.
    Ex: There will also be those who have in fact decided what information they need but are afflicted by the paralysis of 'unverbalised thought'.
    Ex: Essentially, problem patrons can be considered in three groups: (1) the dangerous or apparently dangerous; (2) the patron who disrupts readers; and (3) the nuisance whose focus is the librarian.
    Ex: A sample would be biased if some elements in the population have no chance of selection.
    Ex: The very requirements for success in one area may prejudice success in another.
    Ex: Conversely, indirect costs are those factors that are difficult to assign to individual products because they cross over several products.
    Ex: The article has the title 'Piracy, crooked printers, inflation bedevil Russian publishing'.
    Ex: The title of the article is 'Sweeping away the problems that dog the industry?'.
    Ex: Perhaps by the year 2010 newspaper circulations might be seriously dented by online services.
    Ex: Office automation products and techniques will be able to make a sizeable dent in the growing number of office workers.
    Ex: The federal government has been once again defined as something broken and part of the problem ailing America.
    Ex: The collections of the National Library of the Czech Republic have suffered from the floods that recently struck a large part of the country.
    Ex: The artificiality of institutional concepts has spilled over into the structure of the publishing services on which the user depends for Community information.
    Ex: Agoraphobia can take a toll on sufferers' families as well as the sufferers themselves, as some agoraphobics may become housebound or cling to certain people for safety.
    Ex: With Florida's no-fault auto insurance law set to expire in October, there are fears that that medical services could be hobbled.
    Ex: An interest-rate increase is a weapon to fight inflation which will cast an impact on all industries.
    * afectar a = cut across, have + impact (on), have + effect on, have + implication for, impinge on/upon, operate on, carry over to.
    * afectar a la eficacia de Algo = prejudice + effectiveness.
    * afectar al mundo = span + the globe.
    * afectar a todo = run through.
    * afectar a todo el país = sweep + the country.
    * afectar a una decisión = colour + decision, affect + decision.
    * afectar completamente = engulf.
    * afectar directamente = cut to + the quick.
    * afectar directamente a = cut to + the heart of.
    * afectar fuertemente = hit + hard.
    * afectar mucho = hit + hard.
    * dificultad + afectar = difficulty + dog.
    * no afectar = be immune against, leave + unaffected.
    * no ser afectado = leave + unaffected.
    * problema + afectar = problem + afflict, problem + plague.
    * problemática que afecta a = issues + surrounding.
    * que afecta a = surrounding.
    * que afecta a toda la sociedad = culture-wide.
    * que afecta a todas las culturas = culture-wide.
    * que afecta a varias edades = cross-age [cross age].
    * que afecta a varias generaciones = cross-generational.
    * ser afectado por = have + a high stake in.
    * sin ser afectado = untouched.
    * verse muy afectado por = have + a high stake in.

    * * *
    afectar [A1 ]
    vt
    A
    1 (tener efecto en) to affect
    la nueva ley no afecta al pequeño empresario the new law doesn't affect the small businessman
    está afectado de una grave enfermedad pulmonar ( frml); he is suffering from a serious lung disease
    la enfermedad le afectó el cerebro the illness affected her brain
    las zonas afectadas por las inundaciones the areas hit o affected by the floods
    2 (afligir) to affect ( frml)
    lo que dijiste lo afectó mucho what you said upset him terribly
    3 ( Der) ‹bienes› to encumber
    B (fingir) ‹admiración/indiferencia› to affect, feign afectar + INF to pretend to + INF
    * * *

     

    afectar ( conjugate afectar) verbo transitivo
    1


    b) ( afligir) to affect (frml);


    2 ( fingir) ‹admiración/indiferencia to affect, feign
    afectar verbo transitivo
    1 (incumbir) to affect: la medida nos afecta a todos, the measure affects us all
    2 (impresionar, entristecer) to affect, sadden: le afectó mucho la muerte de su padre, she was deeply affected by her father's death
    ' afectar' also found in these entries:
    Spanish:
    inmune
    - tocar
    - afligir
    - impresionar
    - repercutir
    - sacudir
    English:
    affect
    - damage
    - get
    - hit
    - tell
    - upset
    - dent
    - difference
    - disrupt
    - impair
    - interfere
    - touch
    - whole
    * * *
    1. [incumbir] to affect;
    las medidas afectan a los pensionistas the measures affect pensioners
    2. [afligir] to upset, to affect badly;
    todo lo afecta he's very sensitive;
    lo afectó mucho la muerte de su hermano his brother's death hit him hard
    3. [producir perjuicios en] to damage;
    la sequía que afectó a la región the drought which hit the region;
    a esta madera le afecta mucho la humedad this wood is easily damaged by damp
    4. [simular] to affect, to feign;
    afectó enfado he feigned o affected anger
    5. RP [destinar, asignar] to assign
    * * *
    v/t
    1 ( producir efecto en) affect
    2 ( conmover) upset, affect
    3 ( fingir) feign
    * * *
    1) : to affect
    2) : to upset
    3) : to feign, to pretend
    * * *
    1. to affect
    2. (conmover) to affect / to upset [pt. & pp. upset]

    Spanish-English dictionary > afectar

  • 20 Media

       The purpose of the media during the Estado Novo (1926-74) was to communicate official government policy. Therefore, the government strictly censored newspapers, magazines, and books. Radio and television broadcasting was in the hands of two state-owned companies: Radiodifusão Portuguesa (RDP) and Radiotelevisão Portuguesa (RTP). The first TV broadcasts aired in March 1957, and the official state visit of Queen Elizabeth II of Great Britain to Portugal was featured. The only independent broadcasting company during the Estado Novo was the Catholic Church's Radio Renascença. Writers and journalists who violated the regime's guidelines were severely sanctioned. Under Prime Minister Marcello Caetano, censorship was relaxed somewhat, and writers were allowed to publish critical and controversial works without fear of punishment. Caetano attempted to "speak to the people" through television. Daily program content consisted of little more than government-controlled (and censored) news programs and dull documentaries.
       After the Revolution of 25 April 1974, censorship was abolished. As the revolution veered leftward, some sectors of the media were seized by opponents of the views they expressed. The most famous case was the seizure of Radio Renascença by those who sought to bring it into line with the drift leftward. State ownership of the media was increased after 25 April 1974, when banks were nationalized because most banks owned at least one newspaper. As the Revolution moderated and as banking was privatized during the 1980s and 1990s, newspapers were also privatized.
       The history of two major Lisbon dailies illustrates recent cycles of Portuguese politics and pressures. O Século, a major Lisbon daily paper was founded in 1881 and was influenced by Republican, even Masonic ideas. When the first Republic began in 1910, the editorials of O Século defended the new system, but the economic and social turmoil disillusioned the paper's directors. In 1924, O Século, under publisher João Pereira da Rosa, called for political reform and opposed the Democratic Party, which monopolized elections and power in the Republic. This paper was one of the two most important daily papers, and it backed the military coup of 28 May 1926 and the emergent military dictatorship. Over the history of the Estado Novo, this paper remained somewhat to the left of the other major daily paper in Lisbon, Diário de Notícias, but in 1972 the paper suffered a severe financial crisis and was bought by a Lisbon banker. During the more chaotic times after the Revolution of 25 April 1974, O Século experienced its own time of turmoil, in which there was a split between workers and editors, firings, resignations, and financial trouble. After a series of financial problems and controversy over procommunist staff, the paper was suspended and then ceased publication in February 1977. In the 1990s, there was a brief but unsuccessful attempt to revive O Século.
       Today, the daily paper with the largest circulation is Diário de Notícias of Lisbon, which was established in 1883. It became the major daily paper of record, but after the Revolution of 25 April 1974, like O Século, the paper suffered difficulties, both political and financial. One of its editors in the "hot" summer of 1975 was José Saramago, future Nobel Prize winner in literature, and there was an internal battle in the editorial rooms between factions. The paper was, like O Século, nationalized in 1976, but in 1991, Diário de Notícias was reprivatized and today it continues to be the daily paper of record, leading daily circulation.
       Currently, about 20 daily newspapers are published in Portugal, in Lisbon, the capital, as well as in the principal cities of Oporto, Coimbra, and Évora. The major Lisbon newspapers are Diário de Notícias (daily and newspaper of record), Publico (daily), Correia da Manha (daily), Jornal de Noticias (daily), Expresso (weekly), The Portugal News (English language weekly), The Resident (English language weekly), and Get Real Weekly (English language).
       These papers range from the excellent, such as Público and the Diário de Notícias, to the sensationalistic, such as Correio da Manhã. Portugal's premier weekly newspaper is Expresso, founded by Francisco Balsemão during the last years of Marcello Caetano's governance, whose modern format, spirit, and muted criticism of the regime helped prepare public opinion for regime change in 1974. Another weekly is O Independente, founded in 1988, which specializes in political satire. In addition to these newspapers, Portugal has a large number of newspapers and magazines published for a specific readership: sports fans, gardeners, farmers, boating enthusiasts, etc. In addition to the two state-owned TV channels, Portugal has two independent channels, one of which is operated by the Catholic Church. TV programming is now diverse and sophisticated, with a great variety of programs of both domestic and foreign content. The most popular TV programs have been soap operas and serialized novels ( telenovelas) imported from Brazil. In the 1990s, Portugal attempted to produce its own telenovelas and soap operas, but these have not been as popular as the more exotic Brazilian imports.

    Historical dictionary of Portugal > Media

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